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My Son John
My Son John

My Son John

19522h 2m★ 5.3ドラマ

あらすじ

No synopsis available.

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Leo McCarey

脚本: Leo McCarey / John Lee Mahin / Myles Connolly

音楽: Robert Emmett Dolan

制作: Leo McCarey

撮影監督: Harry Stradling Sr.

制作会社: Rainbow Productions / Paramount Pictures

口コミ

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キャスト

Helen Hayes
Helen Hayes
Lucille Jefferson
Van Heflin
Van Heflin
Stedman
Dean Jagger
Dean Jagger
Dan Jefferson
Robert Walker
Robert Walker
John Jefferson
Minor Watson
Minor Watson
Dr. Carver
Frank McHugh
Frank McHugh
Father O'Dowd
リチャード・ジャッケル
リチャード・ジャッケル
Chuck Jefferson
James Young
James Young
Ben Jefferson
No Image
Jimmie Dundee
Taxi Driver (uncredited)
Douglas Evans
Douglas Evans
Government Employee (uncredited)

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

When we get to the very end of this film we get some sort of explanation, but for the most part I was uncomfortably in the dark as to the goings-on at the “Jefferson” home. “Dan” (Dean Jagger) and wife “Lucille” (Helen Hayes) have three sons. Two are in the army, the third “John” (Robert Walker) has recently returned home from Washington, but seems out of sorts. He no longer wants to go to church, is uninterested in his old friends and haunts and he also takes phone calls from people who don’t want to leave messages. Curious, but not really suspicious, his parents have a shunt in their car with the visiting “Stedman” (Van Heflin) who initially laughs it off, then he comes calling for his $18-odd for the repair, then - well his presence and the tone of the film both take a more sinister turn. It’s an America where communist paranoia permeates everywhere, even small towns where gossips are quick to put two and two together and end up with whatever they want to. Question is. Who exactly is “John” now? I found the story all too thin and meandering and for it to have resonated it needed something more substantial to sustain it as it dragged along for just over the two hours. That said, though, there is one stand-out effort and that comes from Helen Hayes. Jagger is always safe pair of hands, but it is Hayes whose character becomes more and more confused, conflicted and uncertain that delivers a powerful characterisation as we head to the conclusion that tests every ounce of her mother’s love. That finish, in itself, has a foreboding and/or empowering message to it but you can hear that for yourself if you make it that far. Perhaps if it was half an hour shorter and much more focused, it might have worked better. As it is, it is regularly quite dull.

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