

レイトナイト 私の素敵なボス
あらすじ
No synopsis available.
作品考察・見どころ
興行成績
製作費: $4,000,000 (6億円)
興行収入: $22,384,741 (34億円)
推定収支: $18,384,741 (28億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。


No synopsis available.
製作費: $4,000,000 (6億円)
興行収入: $22,384,741 (34億円)
推定収支: $18,384,741 (28億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: ニーシャ・ガナトラ
脚本: ミンディ・カリング
音楽: レスリー・バーバー
制作: Ben Browning / ミンディ・カリング / ハワード・クライン
撮影監督: マシュー・クラーク
制作会社: FilmNation Entertainment / 30WEST / MK International / 3 Arts Entertainment / Imperative Entertainment
Is ‘Late Night’ a perfect film? No. It could have used a few tweaks in the edit suite, and a couple more on the page. Yes, the “woman”, “women in comedy” and “woman of colour” angles are pushed and pushed hard - but then again, isn’t that what the movie is about? Nothing is too in-your-face or shoved down your throat, but you will notice it as these are things you don’t often come across in cinema (or ever). I just would have preferred if Kaling’s character had the personal and professional résumé to be right as well as just righteous, but that’s just me. Either way, she’s great and holds her own against the dynamo force that is Thompson, relishing in her element as a smart, powerful female with a mean streak. ‘Late Night’ is definitely worth the privilege of our time. - Jess Fenton Read Jess' full article... https://www.maketheswitch.com.au/article/review-late-night-the-ladies-of-comedy-have-come-to-make-waves
This had the potential to delver quite an insightful look into the workings of a late-night talkshow, but regrettably this opportunity was largely wasted. Emma Thompson plays the role of host "Katherine Newbury" well, but her character is pretty unlikeable and probably deserves for her tired old show to be cancelled. Mindy Kaling's "Molly" is the new kid on the writing team with the nouse to reverse the decline and re-establish her boss as a success, but again her persona doesn't really engage either. Sadly, the film is completely devoid of humour and aside from the few scenes with John Lithgow, is pretty unremarkable. Perhaps not quite meritorious of the "privilege of your time".