“ある時は女王蜂のように― ある時は娼婦のように― ミランダの艶熟した肉体は男を狂わせる”
第二次世界大戦後の、北イタリア。ミランダは戦争に行ったまま行方不明の夫の代わりに、古いホテルを経営している。彼女は夫の帰りを待ちながらも、次々と客を誘惑していた…。
監督: ティント・ブラス
脚本: ティント・ブラス / Carlo Goldoni
音楽: Riz Ortolani
撮影監督: Silvano Ippoliti / Erico Menczer
制作会社: San Francisco Film
**This is where the Brass style was born** Miranda is an attractive widow who runs an inn on the Po River plain during the 1950s. Following the recent loss of her husband in the war, she decides not to formally commit to any man, but resolves to fully embrace her sexuality. During each of the four seasons, Miranda has relationships with four men who represent different paradigms: the loyal, young innkeeper, a wealthy, mature diplomat, a young truck driver, and an energetic ex-boxer. Each will attempt to win her over in his own way, while she continues to independently and calculatingly assess which of them best suits her desires for freedom, pleasure, and financial stability. Tinto Brass breaks with what could have been presented as a dark postwar drama, instead portraying sexuality through hedonism, lightheartedness, and lighthearted comedy. "Miranda" is, therefore, a film very much in the style of Tinto Brass, full of vivid colors, voluptuous photography and those fetish shots focused on the dangerous curves of the magnetic Serena Grandi, who shines with an imposing physical presence and a sensational narrative charisma.
