ボス・オブ・イット・オール
あらすじ
No synopsis available.
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
製作費: $3,000,000 (5億円)
興行収入: $3,111,395 (5億円)
推定収支: $111,395 (0億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $3,000,000 (5億円)
興行収入: $3,111,395 (5億円)
推定収支: $111,395 (0億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: ラース・フォン・トリアー
脚本: ラース・フォン・トリアー
音楽: Mikkel Maltha
制作: Meta Louise Foldager Sørensen / Signe Leick Jensen / Vibeke Windeløv
撮影監督: Claus Rosenløv Jensen
制作会社: Zentropa Entertainments / Memfis Film / Slot Machine / Lucky Red / SVT / DR / Film i Väst / Liberator Productions / Orione Cinematografica / Pain Unlimited Filmproduktion / Trollhättan Film
The Boss of It All: Lars von Trier's Comedic Deconstruction of Control Who knew Lars von Trier could make us laugh? In "The Boss of It All", he doesn't just satirize corporate culture - he dismantles artistic pretension with surgical comedic precision. The film opens with von Trier himself, reflected in a window, perched in a cherry picker camera dolly - a literal deus ex machina, playing God while simultaneously mocking the very concept of directorial omnipotence. Here, he's gleefully playing God and immediately undermining himself. Using Automavision, a computer program that randomly determines camera angles, von Trier literally relinquishes directorial control. It's a brilliant mirror of the film's narrative: Ravn hiring an actor to be a fictional boss, thus avoiding personal responsibility. The director becomes just another actor in his own absurdist play. Kristoffer, the hired "boss", embodies this perfectly. "I have to consult my character," he says - a line that skewers both corporate role-playing and Dogme 95's Rule 6, which demands that action must be motivated solely by character emotion. It's a delicious mockery of the very artistic constraints von Trier champions. Ultimately, von Trier's message is disarmingly simple: Don't take life - or art - so seriously. It's only life, after all. It may even mirror the "senior six" throwing the beloved Teddy Bear over the cliff. A comedy that's also a profound philosophical joke? This is vintage Lars von Trier!
