FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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Salto nel vuoto
Salto nel vuoto

Salto nel vuoto

19801h 54m★ 6.2ドラマ

あらすじ

No synopsis available.

作品考察・見どころ

マルコ・ベロッキオが描く本作の真髄は、肉親という絆に潜む狂気と息苦しい心理戦にあります。ミシェル・ピコリとアヌーク・エーメが、互いを浸食し合う兄妹の孤独を凄まじい熱量で体現しており、その静かながらも暴力的な演技の応酬は、観る者の深層心理を容赦なく揺さぶります。 虚無へと飛び込む瞬間を捉えた演出は、家族という閉鎖空間が抱える歪みを鮮烈に映し出します。均衡が崩壊する過程で見せる破壊的な解放感は、私たちが無意識に抑圧している衝動そのものです。 人間の根源的な魂の叫びを映像化したこの傑作は、時代を超えて色褪せない強烈な磁場を放ち、観る者を圧倒し続けています。

口コミ

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キャスト

ミシェル・ピコリ
ミシェル・ピコリ
Mauro Ponticelli
アヌーク・エーメ
アヌーク・エーメ
Marta Ponticelli
Michele Placido
Michele Placido
Giovanni Sciabola
Gisella Burinato
Gisella Burinato
Anna
Antonio Piovanelli
Antonio Piovanelli
Quasimodo
Anna Orso
Anna Orso
Marilena
Giampaolo Saccarola
Giampaolo Saccarola
Insane Brother
Adriana Pecorelli
Adriana Pecorelli
Sonia
Franca Maria De Monti
Franca Maria De Monti
No Image
Paola Ciampi
Ponticelli's Mother

スタッフ・制作会社

監督: Marco Bellocchio

脚本: Piero Natoli / Vincenzo Cerami / Marco Bellocchio

音楽: Nicola Piovani

制作: Enzo Porcelli / Anna Maria Clementelli / Silvio Clementelli

撮影監督: Giuseppe Lanci

制作会社: Polytel International Film / Clesi Cinematografica / MK2 Films / RAI / Odyssia / Films 66

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

Yikes, but what part of the Italian legal establishment doesn't come in for some pillorying from Marco Bellochio in this film? It all centres around judge "Mauro" (Michel Piccoli) and his ailing sister "Marta" (Anouk Aimée) who has pretty much brought him up. She isn't coping so well with reality and is frequently prone to suicidal flights of fancy until, that is, he introduces her to the rather roguish actor "Giovanni" (Michele Placido) to whom she takes a bit of a shine. It's the first time her brother hasn't been the sole focus of her attentions since they were children, so despite himself he starts to become a little jealous. He's not a man without influence around town, so decides to use that to ensure that this little fly in his familial ointment is duly swatted. There's a grand dynamic between the three characters as they are used to take swipes at family politics, envy and resentment and we also manage to have a go at some entertainingly small town provincial politics, petty corruption and eccentricities as this two hours really does fly by. It does play a little to stereotypes of age and attitude at times, and is maybe just a bit over-scripted but it's a slightly quirkier look at flawed domesticity and Aimée looks like she enjoyed herself for most of it.

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