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自転車泥棒
自転車泥棒

自転車泥棒

19481h 29m★ 8.2ドラマ

あらすじ

第二次世界大戦後のイタリア、ローマ。 2年間職に就けなかったアントニオ・リッチは、職業安定所の紹介で役所のポスター貼りの仕事を得る。仕事に就くためには自転車が必要だと言われるが、生活の厳しいアントニオは自転車を質に入れていた。妻のマリアが家のベッドのシーツを質に入れ、その金で自転車を取り戻す。新しい職に浮かれるアントニオを見て、6歳になる息子のブルーノも心を躍らせる。 ブルーノを自転車に乗せ、意気揚々と出勤するアントニオ。しかし仕事の初日、ポスターを貼っている最中に自転車を盗まれてしまう。警察に届けるも「自分で探せ」と言われる始末。自転車がなければ職を失う。新しい自転車を買う金もない。アントニオは自力で自転車を探し始める。

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興行成績

製作費: $133,000 (0億円)

興行収入: $450,159 (1億円)

推定収支: $317,159 (0億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

Lamberto Maggiorani
Lamberto Maggiorani
Antonio
Enzo Staiola
Enzo Staiola
Bruno
Lianella Carell
Lianella Carell
Maria
Gino Saltamerenda
Gino Saltamerenda
Baiocco
Vittorio Antonucci
Vittorio Antonucci
Alfredo Catelli, The Thief
Giulio Chiari
Giulio Chiari
The Beggar
Elena Altieri
Elena Altieri
The Charitable Lady
No Image
Carlo Jachino
A Beggar
No Image
Michele Sakara
Secretary of the Charity Organization
No Image
Emma Druetti

スタッフ・制作会社

監督: Vittorio De Sica

脚本: Cesare Zavattini / Adolfo Franci / Suso Cecchi d'Amico

音楽: Alessandro Cicognini

制作: Vittorio De Sica / Giuseppe Amato

撮影監督: Carlo Montuori

制作会社: Produzioni De Sica

TMDB ユーザーのレビュー

barrymost
barrymost
★ 7

When in Rome... keep an eye on your bicycle! Or else it might be stolen and you'll find yourself fruitlessly searching the streets of Italy, as the father and son do in this classic Italian film. Lamberto Maggiorani, as the desperate, out of work father, and Enzo Staiola, as his frustrated young son, play off each other nicely and a nice pace keeps things interesting. It's heralded as one of the greatest movies ever made, but personally I don't quite see why. It's a good story none the less, and it kept my attention. There's a very satisfying dose of irony at the end.

CinemaSerf
CinemaSerf
★ 7

In post war Rome, money is very tight for "Antonio" (Lamberto Maggiorani) so when he gets a chance to earn some extra cash, he grabs the opportunity. Snag is, he needs his bike to do the work and someone has just pinched it. Together with his young son "Bruno" (a superb Enzo Staiola) he sets out on the near impossible task of tracking the thing down! What ensues are a series of escapades as the father and son team encounter a range of equally war ravaged citizens - some more helpful than others - on their mini-quest. It's an interesting study on humanity this, centred around something so apparently pedestrian as losing a bike, but the cascading impact of that event on their lives and their relationship as well as with the profound effects on their livelihood and self respect are expertly laid out by De Rica, who draws us gradually into their series of adventures. The simplicity of the story also engenders an opportunity to look at the poverty endured by many sections of the citizenry (those who sit through the mass so they can be rewarded with a bowl of soup rather than worrying about any redemption of their soul, for example). The performance from the young Staiola is excellent. He plays the role of the young boy with considerable natural skill - his character has no real idea of why this bike is so important, nor of why it's loss is causing his father's behaviour to vacillate - but like a loyal puppy, he continues to help out, even saving the day at one stage. The settings in this ancient city add considerably to the sense of despair - ruins (old and new) - and at times they make you wonder of life here has really moved on so much from Roman times. The pace of the film is very well measured, the script is not devoid of a bit humour, even joy, now and again and the momentum builds steadily to a conclusion that is remarkably poignant and that left me with a smile on my face. Question is though, does he find his bike???

James
James
★ 7

A heartwarming yet surprisingly bleak masterpiece of hope and despair.

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