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Diary of a Hitman
Diary of a Hitman

Diary of a Hitman

19911h 30m★ 5.2犯罪

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

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興行成績

興行収入: $31,815 (0億円)

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スタッフ・制作会社

監督: Roy London

脚本: Kenneth Pressman

音楽: Michel Colombier

制作: Amin Q. Chaudhri / マーク・ダモン

撮影監督: Yuri Sokol

制作会社: Continental Film Group Ltd. / Vision International

口コミ

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キャスト

フォレスト・ウィテカー
フォレスト・ウィテカー
Dekker
シェリリン・フェン
シェリリン・フェン
Jain
シャロン・ストーン
シャロン・ストーン
Kiki
Seymour Cassel
Seymour Cassel
Koenig
Jim Belushi
Jim Belushi
Shandy
Peter White
Peter White
Man in Garage
Lois Chiles
Lois Chiles
Sheila
John Bedford Lloyd
John Bedford Lloyd
Dr. Jameson
Dan Kamin
Dan Kamin
Mime / Corpozoid Man
Wayne Crawford
Wayne Crawford
Wallace

TMDB ユーザーのレビュー

John Chard
John Chard
★ 6

Dekker's Dilemma. Diary of a Hit-man is directed by Roy London and adapted to screenplay by Kenneth Pressman from his own play, Insider's Price. It stars Forest Whitaker, John Bedford-Lloyd, Sherilyn Fenn, Seymour Cassel, James Belushi and Sharon Stone.Music is by Michel Colombier and cinematography by Yuri Sokol. Hit-man Dekker is contracted to kill the wife and baby of his latest client, but he starts to seriously question the ethics of the job... "you're your own worst witness" The ingredients for a high end neo-noir piece are all in place here, with the pic at times threatening potency to strike a telling blow, sadly it rounds out as very unfulfilling. Its stage origins are all too obvious, and the blend of quirky and wry humour with the more dramatic core of the story never sits well. Cast also come off as a little awkward, no doubt straining to deliver the goods for their acting coach director. On the plus side for noir fans there's stuff to savour. Pic is driven by a Dekker narration, and the character is in contact with interesting characters. Be it a mime artist, his psychiatrist, a kid in a tumble dryer, a busy body tarty sister or the weasel villain who hires him, the human contact is straight out of noir land. The places he goes are also in keeping, the local bar with neon lighting, the church where "business" is conducted, Jain's (Fenn) apartment, which is a bizarre concoction of scatterbrain living and mummy housewifery, or a peekaboo strip joint. Elsewhere there's an extended session of film where Dekker has double vision, this putting a nice off-kilter vibe on things, while the whole time where the pic takes place in the apartment - with just Dekker and Jain in conflab - holds considerable interest. But then there's the finale, which is so far removed from noir it may make some want to set fire to the TV... Just above average neo-noir, but not one to recommend with any sort of confidence. 6/10

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