“夢をオッ立てろ！”
70～80年代のポルノ業界を舞台にした作品。ディスコで皿洗いをしていたエディは股間のモノの大きさを買われポルノ男優としてデビュー、成功を収める。しかし次第に彼は傲慢になり……。
製作費: $15,000,000 (23億円)
興行収入: $43,101,594 (65億円)
推定収支: $28,101,594 (42億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: ポール・トーマス・アンダーソン
脚本: ポール・トーマス・アンダーソン
音楽: Michael Penn
制作: John S. Lyons / Lloyd Levin / JoAnne Sellar
撮影監督: Robert Elswit
制作会社: New Line Cinema / Lawrence Gordon Productions / Ghoulardi Film Company
Yikes, but was there fuss around this when it was released? A film about porn, yes, but a film about men in porn - and with the ribbed and toned "Marky Mark" too! What will we see? What will he show? I remember the general interest in this hitherto rather unsavoury topic was insatiable. Well, what we do get is a rather interesting and lively exposé of just how the porn industry might have worked in the late 1970s. Experienced producer "Horner" (Burt Reynolds) spots hunky waiter "Eddie" (Mark Wahlberg) in a restaurant and next thing, the young man is the hottest of properties. With the timeless moniker of "Dirk Diggler" (try finding that on PornHub!) he is soon a true star with money and girls and drugs galore. Fame is a fickle friend, however, and the writing is soon on the wall for our emotionally ill-equipped young man who never for a moment considers that this escalator can go down as well as up. This story is filled with engaging and enigmatic characters - ranging from the stoic "Amber Waves" (a cracking effort from Julianne Moore) who seems to try and instil a sense of proportion and responsibility to the gorgeously stereotypical "Reed Rothschild" (an unlikely casting, I thought, in John C. Reilly). It's Mark Wahlberg who proves to be the revelation here, though. He works quite naturally with the on-form, and entirely plausible, veteran Reynolds and for quite a while, their roller-coaster of sex and success is compelling and quite enjoyable to follow. Is anything real in that scene at the end? Well who knows - but 2½ hours peppered with some great disco just flew by in a cinema that was packed to the rafters.
While I can admire the production design recreating the 70s and 80s and a great performance from Burt Reynolds, I didn't find this terribly engaging. The first part and last section were very good but found the middle to be meandering. I didn't think the various character arcs came together (compared to Magnolia which I loved) and I think 15-20 minutes could've been removed. Still, it's worth watching at least. **3.25/5**
