FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

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When I Grow Up
When I Grow Up

When I Grow Up

19511h 30m★ 6.5ドラマ

あらすじ

No synopsis available.

作品考察・見どころ

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興行成績

製作費: $50,000 (0億円)

興行収入: $100,000 (0億円)

推定収支: $50,000 (0億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

スタッフ・制作会社

監督: Michael Kanin

脚本: Irving Friedman

音楽: Jerome Moross

制作: Sam Spiegel

撮影監督: Ernest Laszlo

制作会社: Horizon Pictures

口コミ

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キャスト

Bobby Driscoll
Bobby Driscoll
Josh / Danny Reed
Robert Preston
Robert Preston
Father Reed
Martha Scott
Martha Scott
Mother Reed
Sherry Jackson
Sherry Jackson
Ruthie Reed
John Wilder
John Wilder
Duckface Kelly
Frances Chaney
Frances Chaney
Mrs. Kelly
Poodles Hanneford
Poodles Hanneford
Bobo
ラルフ・ダムキー
ラルフ・ダムキー
Carp
Paul Guilfoyle
Paul Guilfoyle
Doc
No Image
Paul Levitt
Carp's Assistant

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

"Danny" (Bobby Driscoll) lives with his dad (Harry Morgan) and mum (Elisabeth Fraser) but isn't especially happy. Indeed, he feels neglected and determines to leave home and chance his arm in the outside world. Before he hits the road, though, he discovers an old diary written by his grandpa (Charley Grapewin) that details the trials and tribulation of his own youth - and tells of his desire to flee with his best pal "Duckface" (John Wilder) and join the circus. It's very hard work and the youngsters are largely ignored by the staff except, that is, for the clown "Bobo" (Poodles Hanneford) who promises to go into business with them if they make it big. Sadly, the 1890s wasn't the healthiest of times to live and when typhoid hits the town, it puts a great deal in perspective and back in 1950s America, it reminds the young "Danny" that maybe life could be quite a bit worse and maybe he ought to count his blessings? There's something really quite touching about the Driscoll effort(s) in this film as he skips from the older to the more modern character effortlessly and engagingly. It's quite a telling story of grass being greener, but also of childhood - and of the dreams we all had before life got us by the scruff of the neck. There's also quite a strong effort from both Robert Preston and Martha Scott as the 19th century parents facing a not dissimilar problem rearing a lad full of spark and ambition only without electricity and with more distracting elephants. It's simplicity is affecting and it's well worth a watch.

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