FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
© 2026 Bennu Inc.TMDB Logo

本サービスはTMDB APIを利用していますが、TMDBによる推奨・認定を受けたものではありません。

X-MEN:ファースト・ジェネレーション
X-MEN:ファースト・ジェネレーション

X-MEN:ファースト・ジェネレーション

“共存か、支配か。その<起源>を目撃せよ!”

20112h 11m★ 7.3アクションサイエンスフィクションアドベンチャー
Disney Plus

あらすじ

国際情勢が緊迫する1960年代、強力なテレパシー能力を持つ青年チャールズが、金属を自在に操れるエリックとめぐり合う。ミュータントとして人類と闘うべきか共存すべきか、異なる信念を抱きながらも友情を深めたふたりは、世界各地のミュータントを仲間に迎え入れていく。しかし戦時中にエリックの母親を殺した元ナチスの科学者ショウが、ミュータント集団“ヘルファイヤークラブ”を結成。やがてショウが悪魔のごとき計画を実行に移したとき、チャールズとエリックはその野望の阻止に挑むが、過酷な運命は彼らの絆を引き裂き、人類との“共存”か“支配”か、という正反対の道へと導いていくのだった……。

作品考察・見どころ

AIが作品の魅力を深く読み解いています

興行成績

製作費: $160,000,000 (240億円)

興行収入: $353,624,124 (530億円)

推定収支: $193,624,124 (290億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

あなたの評価を記録する

予告・トレイラー

配信サービス

サブスクリプション

Disney Plus

レンタル・購入

Amazon Video
Apple TV Store
Google Play Movies
FOD

特集レポート

FindKeyのエディトリアルチームがこの作品の深層や歴史を解説しています。

孤独な魂が響き合う瞬間。『グリーンマイル』ほか、友情の深淵に震える感動のヒューマンドラマ5選

FindKey Editorial2026/2/4

キャスト

ジェームズ・マカヴォイ
ジェームズ・マカヴォイ
Charles Xavier
マイケル・ファスベンダー
マイケル・ファスベンダー
Erik Lehnsherr
ジェニファー・ローレンス
ジェニファー・ローレンス
Raven / Mystique
ローズ・バーン
ローズ・バーン
Moira MacTaggert
ケヴィン・ベーコン
ケヴィン・ベーコン
Sebastian Shaw
January Jones
January Jones
Emma Frost
ニコラス・ホルト
ニコラス・ホルト
Hank / Beast
ルーカス・ティル
ルーカス・ティル
Alex Summers / Havok
ゾーイ・クラヴィッツ
ゾーイ・クラヴィッツ
Angel Salvadore
Caleb Landry Jones
Caleb Landry Jones
Cassidy / Banshee

スタッフ・制作会社

監督: マシュー・ヴォーン

脚本: Sheldon Turner / ブライアン・シンガー / Ashley Miller

音楽: Henry Jackman

制作: サイモン・キンバーグ / ローレン・シュラー・ドナー / ブライアン・シンガー

撮影監督: John Mathieson

制作会社: The Donners' Company / Bad Hat Harry Productions / 20th Century Fox / Marvel Entertainment

TMDB ユーザーのレビュー

GeekMasher
GeekMasher
★ 9

A very good movie! I'm not a massive comic book reader/fan and when I watched the first couple of the X-men movies I always wondered how it all begin and this movie do it justice! The actors where great (there no Patrick Stewart or Ian McKellen), Kevin Bacon played the baddie very well and was well suited for it and it was graphically impressive. Loved to see the development of the characters over the duration of the film. In all, I think it was a excellent movie.

Travis Bell
Travis Bell
★ 7.5

I didn't love this movie. There were aspects about it from the perspective of an origin story that were interesting but something about the pacing and acting just felt… off. I can't quite put my finger on it but the first word that comes to mind is "campy". Kind of like I was watching one of the last three Star Wars movies. The dialog and overall tone just weren't serious enough. The trailer for [X-Men: Days of Future Past](https://www.themoviedb.org/movie/127585-x-men-days-of-future-past) looks better and Bryan Singer is back at the helm. The best X-Men movies are without a doubt 1 & 2 so here's hoping he can steer this back a bit.

DoryDarko
DoryDarko
★ 9

On IMDb, X-Men: First Class has garnered the highest rating of all films in the X-Men franchise so far. Given the fact that this film features only a few of the familiar characters of the previous films, portrayed by different, younger actors, and the complete absence of Wolverine, the (current) rating of 8.1 somewhat surprised me. That was before I had seen it... Being a pretty big X-Men fan myself, I was excited to see this, regardless of plot or characters. However, I was also a little wary of what to expect, for the reasons stated above. I suspect that anybody reading this might feel the same way. But rest assured, any doubts were quickly dispelled no later than the opening scene. First Class starts off very well, with the exact same opening scene as the first X-Men, featuring a young Erik Lehnsherr being separated from his parents in a Nazi concentration camp. What follows after this familiar story is something completely new and particularly dark and brutal. I won't give away any important plot lines, but suffice it to say there won't be a single person left wondering why Magneto is so resentful of "normal" people. This event also sets the tone for the rest of the film, and, to a great extent, explains why First Class is such a success: this film is all about character. Whereas all the other films were mostly about cool superheroes and special effects, First Class is all about character development and the history of those who would later become Professor X and Magneto. This concept might have failed big time if it wasn't for the superb screenplay. I take my hat off to whoever managed to incorporate every little, but crucial, character and storyline and made it flow together so beautifully. Literally everything comes together in this film, everything you might have wondered (why is Xavier paralyzed?) is given a credible and fitting explanation. Another real strength of FC is its cast. Everybody in this film is right where they should be. Kevin Bacon is the perfect villain (but we already knew that…), James McAvoy not only looks, but sounds and moves like the young Charles Xavier would. Jennifer Lawrence is a convincing, young (and believe it or not, insecure) Mystique. All other characters are perfectly cast as well, humans and mutants alike. However, I feel that most credit is due to Michael Fassbender, an actor I am now ashamed to say I had never even heard of before. The way he portrays the 30-something Erik Lehnsherr/Magneto is stunning. His entire physique, down to every little twitch in his face, truly captivates all the pain and agony Erik has had to endure throughout his life. It makes you sympathize with Magneto and understand why he is the way he is. Whereas the "old" Magneto was little more than a bitter old man who despised Homo sapiens for undisclosed reasons (with no discredit to Ian McKellen intended here), Michael Fassbender does something I thought was almost impossible in a superhero flick: he gives Magneto a soul. In case I might have given the impression that X-Men: First Class is no more than some wishy-washy character drama, don't worry. There are plenty of awesome action sequences and special effects to keep the more adrenaline-pumped movie-goer satisfied. And before I forget: there are two small, but awesome cameo appearances which I know you will enjoy… Finally, a small note on parental guidance: I was absolutely baffled to see that half of the audience consisted of parents with small children. Like I said before, this is not just another cool superhero movie. X-Men: First Class features elements which are quite dark and graphic, and especially the scenes portraying Nazi brutality are not intended for a young audience. Personally, I would say 14 is the appropriate minimum age. With all that said, I would recommend this film to anyone, even to those of you who aren't X-Men fans. It doesn't happen very often that I can't find a single flaw in a film, but I guess this is just one of those rare cases. Great directing, great acting, great everything. Period. _(July 2011)_

r96sk
r96sk
★ 8

My favourite so far. <em>'X-Men: First Class'</em> is great fun. I felt entertained throughout with nothing bothering me whatsoever, with the score and the cast particularly standing out. I will say it starts stronger than it ends, but that's not to say it isn't all enjoyable because it certainly is. James McAvoy is very good as Charles Xavier, while Michael Fassbender is excellent as Erik Lehnsherr. Rose Byrne, Jennifer Lawrence and Kevin Bacon were three others who I liked watching too. Back to the score, it's tremendous - some parts reminded me of the outstanding theme of television's <em>'The Crown'</em>. I was feeling the decline across the preceding four releases, but thankfully this regains the series' footing and then some. Intrigued to see where it goes from here. Onwards to <em>'The Wolverine'</em>*! *watching in release order /copied directly from my Letterboxd review\

CinemaSerf
CinemaSerf
★ 7

If it's not sacrilegious for a Brit, I found this outing for the "X-Men" to be far better without the presence of the two elderly thespians who usually underpin these adventures. James McCoy takes on the mantle of the younger "Xavier" with Michael Fassbender introducing us to the role of "Erik". The former has the ability to read minds, his friend to manipulate metal. By means of flashbacks, we learn the back story for both of these characters, illustrating how they met and started to work together to ensure that their kind were safe and sound in an increasingly hostile world of human paranoia and suspicion. They are making progress until the re-emergence of "Shaw" (Kevin Bacon). Now he and "Erik" have a past - and the latter blames the other for leading atrocities carried out by the Nazis on his Polish family during WWII. His determination to seek revenge causes a rift between the two friends, and soon they - and their respective followers - are at loggerheads whilst a dangerous nuclear war looms for an humanity caught up in a devious cross-fire. Bacon isn't at his best here, he isn't remotely menacing - but the others, including Jennifer Lawrence's "Raven" and Nicholas Hoult's geeky "Hank" work well to give us quite an action-packed flavour of the birth of "Magneto" and of the foundations of his later hostilities with the "X-Men". The visual effects deliver well and the underlying narrative actually offers us a bit to think about - forgiveness, vengeance, fear and intolerance are all touched upon with a superior script that doesn't entirely rely on the effects and pyrotechnics to make it's point. This film works better on a big screen, these stories never really thrive on the television, and is easily - for my money - the best of the franchise I've yet seen.

おすすめの作品