夜を楽しく
あらすじ
No synopsis available.
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
製作費: $1,600,000 (2億円)
興行収入: $18,750,000 (28億円)
推定収支: $17,150,000 (26億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $1,600,000 (2億円)
興行収入: $18,750,000 (28億円)
推定収支: $17,150,000 (26億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Michael Gordon
脚本: Stanley Shapiro / Maurice Richlin / Clarence Greene
音楽: Frank De Vol
制作: Ross Hunter / Martin Melcher
撮影監督: Arthur E. Arling
制作会社: Arwin Productions / Universal Pictures
"Jan" (Doris Day) is a bit fed up with sharing her telephone's party line with lothario "Brad" (Rock Hudson) whose constant chatting to his various girlfriends means she can never place a private call! They eventually arrive at a sort of truce, agree times each can have access and hopefully that's that. Except, well he has taken a little bit of a shine to her and decides to try and orchestrate a meeting. She obviously want's nothing to do with him, so he invents the persona of "Rex Stetson" - a visiting Texican and sets about charming her. She's an interior designer and another of her clients is a bit enamoured of her. "Jonathan" (Tony Randall) even tried to buy her a car, but sadly his love is unrequited - a fact that he tells his best friend. Guess who? Yep...! When "Jan" starts to tell him of her new beau, he gets suspicious and hires a private eye to find out more about him - and that's the cue for truths to come out and for things to get a bit messy. All of this is taking place under the dipso nose of her maid "Alma" (Thelma Ritter) and makes for quite an entertaining, if entirely predictable, comedy caper. There's oodles of chemistry between Day and Hudson, Randall delivers charismatically as the foil to their increasingly daft shenanigans and Ritter, well she just has to show up to raise a smile with her sagely wise-cracking. Aside from the title song, there's only the one musical number - maybe not the best called "Roly Poly" but it gives the pair and chanteuse Perry Blackwell a chance to keep things simmering along engagingly with some charm. The writing gives just about everyone a chance at the limelight and though it's a little formulaic, it's still good fun.
