ジャンヌ・ダルク裁判
あらすじ
1431年、百年戦争の最中、ノルマンディーのルーアン（Rouen）。オルレアンの乙女 "ジョーン・オブ・アークは、敵対するフランス軍に捕らえられ、敵であるイギリス軍が監督する教会裁判所で不当な裁判にかけられる。
予告・トレイラー
作品考察・見どころ
AIが作品の魅力を深く読み解いています
1431年、百年戦争の最中、ノルマンディーのルーアン（Rouen）。オルレアンの乙女 "ジョーン・オブ・アークは、敵対するフランス軍に捕らえられ、敵であるイギリス軍が監督する教会裁判所で不当な裁判にかけられる。
AIが作品の魅力を深く読み解いています
There is something especially evocative about the way in which this quite short film has been put together by Robert Bresson and Léonce-Henri Burel. In just over an hour, it offers us a startlingly bleak interpretation of the last weeks of Joan of Arc's life, imprisoned, manipulated and subjected to immense amounts of intellectual cruelty by a church and a state that was determined that she should burn - regardless of any guilt or innocence. Florence Delay is very effective in the tital role - probably the best characterisation of this woman I have ever seen. Jean-Claude Fourneau is also at the top of his game as the prosecuting bishop "Cauchon" offering us a vision of a man as devoid of any Christian kindness as it is possible to imagine. Given everyone knows what did happen to this tortured soul, Bresson still manages to elicit a considerable degree of optimism: might things end differently this time? The dialogue is bland. Not in any dull sense, but in a matter-of-fact, non-florid fashion. The photography is basic and almost rudimentary - indeed, that also adds a great deal to the authenticity of just what it might well have been like at the time. If you ever watch any films about this historical event, then this ought to be the one...
