THE GUILTY／ギルティ

Absolutely loved it - a "small" but great movie, and best proof that you don't need a big budget to keep an audience glued to the screen and at the edge of their seats. It's basically a room, a man and a telephone, and still manages to tell an intense story (and with a twist). Grim, but still has a few fun moments of relief. Fantastic performance by Jakob Cedergren, who also turned out to be a really nice guy (saw it Zurich Film Festival, and there was a Q&A with him). If you have a chance, go see it!

Great stuff, I love films like this. <em>'The Guilty'</em> is a film that takes place at just one location, something that always has the potential to hinder a film's watchability - but when it's done right, there is nothing more engrossing to watch, and this 2018 flick is just that. I did predict where it was going, but as I always say: predictability in itself is never a negative, for me anyway. I can still appreciate what a film attempts to do and can enjoy seeing the filmmakers pull it off. The whole 90 minutes or so of this is absorbing, it's portrayed superbly throughout - terrific dialogue, editing, sound and, of course, acting. Jakob Cedergren makes for a top quality lead. A brilliant performance! Given how the film is told, the rest of the cast don't have much to work with so it's very much the Cedergren show - but, still, the likes of Jessica Dinnage, Katinka Evers-Jahnsen and Johan Olsen add to the film positively with their more audible contributions. I'm fascinated to see how the American remake went of this. I'm a fan of Jake Gyllenhaal's and I think I have seen an image of him next to a red light, which I presume is in fact a shot out of the 2021 retelling. I'm hoping they did something with it similarly to Gyllenhaal's 2011 film <em>'Source Code'</em>, which I adore, but I shall see at some point in the future, hopefully. As for this, I'd highly recommend it!

There’s something really effectively claustrophobic about this one-man crime drama. “Asger” (Jakob Cedergren) is a cop, not without his own baggage, reluctantly manning the emergency line when he gets a worryingly intriguing call from a woman who is clearly in distress. He establishes that she is on a motorway, in a white van and has two children who have been left alone at their home. As his shift is coming to an end, he focuses all his attentions on gleaning what he can from her, her six year old daughter and from her estranged husband who would appear to be involved in this mystery too. It’s set in a dark control room, with only the phone to use as he tries to get to the bottom of things and that provides us with quite a potently staccato nature to the question and answer dialogue that gradually reaches a crescendo that might not be quite what you were expecting. It’s a cleverly designed and paced feature that packs quite a lot of tension into ninety minutes, and it’s well worth a watch.