パプア・ニューギニアの熱帯雨林の奥地に存在する、巨大な洞窟体系「エスペトリ・エサーラ」。地球上で最も大きく、美しく、近づきがたい、その場所は人が足を踏み入れてはいけない聖域であった。そんな洞窟の謎を解き明かそうと、大富豪の実業家カールのスポンサードを受け、経験と判断力を誇る冒険家フランク率いる探検隊が、ハイテク装備とダイビングを駆使した調査に挑む。
製作費: $30,000,000 (45億円)
興行収入: $108,609,310 (163億円)
推定収支: $78,609,310 (118億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
A private place from which most people are excluded… Much was made during the publicity and promotion for Sanctum of James Cameron’s name being attached, understandably so. Sanctum is what it is, a glossy exercise in 3D film making, a disaster movie awash with clichés and contrivances, a picture that’s narrative drive comes from following a well worn formula in this particular sphere of genre film making. Is it fun? Thrilling? Oh absolutely! The effects work is super at times, the scenery equally so, whilst some of the set pieces are dynamite. If you can get past the cheese and cliché buffet bar then there’s a whole bunch of tasty treats to be sampled down in those dark and dingy cave formations… It’s directed by Alister Grierson but in truth this is a Cameron movie, and with that comes the fact that it’s the best and worst of Cameron. Take that as you will… 6.5/10
