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Little Women
Little Women

Little Women

20181h 52m★ 6.4ドラマ

あらすじ

No synopsis available.

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原作・関連書籍

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興行成績

製作費: $4,000,000 (6億円)

興行収入: $12,165,890 (18億円)

推定収支: $8,165,890 (12億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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予告・トレイラー

キャスト

Sarah Davenport
Sarah Davenport
Josephine "Jo" March
Melanie Stone
Melanie Stone
Margaret "Meg" March
Allie Jennings
Allie Jennings
Elizabeth "Beth" March
Taylor Murphy
Taylor Murphy
Amy Curtis March
リー・トンプソン
リー・トンプソン
Margaret "Marmee" March
Lucas Grabeel
Lucas Grabeel
Theodore "Laurie" Laurence
Ian Bohen
Ian Bohen
Freddy
バート・ジョンソン
バート・ジョンソン
Papa March
Adam Johnson
Adam Johnson
Duke Senior
Michael Flynn
Michael Flynn
Mr. Laurence

スタッフ・制作会社

監督: Clare Niederpruem

脚本: Kristi Shimek / Clare Niederpruem / Louisa May Alcott

音楽: Robert Allen Elliott

制作: Stephen Shimek / デヴィッド・ウルフ / Maclain Nelson

撮影監督: Anka Malatynska

制作会社: Main Dog Productions / Escapology / Paulist Productions / Universal Pictures

TMDB ユーザーのレビュー

Filipe Manuel Neto
Filipe Manuel Neto
★ 4

**A different version of the usual story. Maybe less memorable, but different.** Louisa May Alcott's classic novel has received several film and TV adaptations over the decades. Some are more significant than others, and this is definitely one of the smallest, but perhaps the most creative I've seen, opting to give us an updated, refreshed version of the story as always. At a time when literary classics are treated as “sacred cows” by cinema purists (at the same time that, paradoxically, “politically correct” versions of the books are presented, without the expressions and words that the authors wrote, but which we don't like it), it's innovative and courageous to do something different, even if it's a weaker work. Like many people who do not speak English as their native language, I have never read the original book, nor found a well-written Portuguese translation, respectful of the original source. So, I'll stick to the film. It's quite good at giving us an airy version of the story we've already seen, and it's certainly a labor of love for everyone involved. Certain things worked well, others were not believable (particularly the imaginative play of the sisters, who spend time playing games that are very childish for their age), but the essentials – the unity between sisters and the way they face different difficulties – remain untouched. Directed by Clare Niederpruem, the film is not exceptional and has a TV flavor, as if it had been designed for a direct-to-DVD version or for the television market, not for the big screen. However, it gives us decent cinematography and regular production values, considering it didn't have the biggest budget. The dialogues are well written, and the film does not waste too much time on irrelevant things, even though the levels of sugary melodrama are high and make the film a somewhat sweet experience, which will not please everyone. The ending is anti-climactic. In addition to the opportunity to see a different version of the story, the film seriously relies on a very female cast, with much more commitment and energy than skill. The sisters are assured by Sarah Davenport, Melanie Stone, Allie Jennings and Taylor Murphy. They are all promising young people who have much more desire and energy than talent, they are still learning the dramatic art. There are still a few other actors around here who will make some high marks, namely Lea Thompson and Michael Flynn, but it's safe to say that each of them is trying to take advantage of the opportunity to improve as much as possible in their art and skill, and that this film will not be the masterpiece of anyone involved.

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