“生き延びたければ、決して、水に近づいてはいけない。”
1970年代のロサンゼルスで、ソーシャルワーカーのアンナ(リンダ・カーデリーニ)に、子供たちに危険が迫っているので助けてほしいとある女性が訴える。だがアンナは、その訴えに真剣に耳を貸さなかった。一人親のアンナには、エイプリル(マデリーン・マックグロウ)とクリス(ローマン・クリストウ)という二人の子供がいた。
製作費: $9,000,000 (14億円)
興行収入: $123,233,739 (185億円)
推定収支: $114,233,739 (171億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: マイケル・チャベス
脚本: Mikki Daughtry / Tobias Iaconis
音楽: Joseph Bishara
制作: Richard Brener / ジェームズ・ワン / Walter Hamada
撮影監督: Michael Burgess
制作会社: Atomic Monster / New Line Cinema / Emile Gladstone Productions
If you enjoy reading my Spoiler-Free reviews, please follow my blog :) It’s not as bad as The Nun, let me write this straight away. If there’s one thing that this movie proves is Michael Chavestalented filmmaking skills, which offers hope for The Conjuring 3. Contrary to the other spin-off of the universe, The Curse of La Llorona toned down on the lazy exposition and elevated its scary sequences, simply by having a more capable director. Beautiful one-take scenes are spread throughout the runtime, which not only increase the suspense but prove that Chaves actually works hard to provide a terrifying environment. He also delivers some effective and innovative jump scares, even though most of them still follow an annoyingly predictable timing. These are still heavy on the cliche of “character turning her head, big ugly monster face screams and the score goes from silence to screeching volume.” Scenes like these aren’t scary anymore and they feel dated, as well as the typical origin story. There’s nothing new or exciting in an “urban legend turned true.” Fortunately, the backstory is simple, it isn’t filled with explicit exposition every two minutes, and the short runtime helps the film to develop through a fast pacing. Sadly, it’s just another common horror screenplay that the writers took from the scripts cabinet. Linda Cardellini gives a strong performance as the protagonist. Even though every character in this movie makes questionable decisions that lead to avoidable events (something inevitable in horror films), Anna is a compelling and courageous woman, who only wants to do what’s best for any children, not only their own. Raymond Cruz portrays Rafael, a priest who sort of almost is a deus ex machina. He barely has any kind of decent character development, but he works well enough as comic relief to lighten up an otherwise too dark tone. The kids are good, but Patricia Velasquez (Patricia Alvarez) is way over-the-top, which doesn’t help her already not-so-good script. All in all, The Curse of La Llorona is … okay. It’s not near as horrible as The Nun, and honestly, that’s a good compliment for such a typical and cliche horror flick. Michael Chaves truly saves what could have been a disaster with another director. Wonderfully handled one-take sequences, which elevate the suspense levels, and he also produced some imaginative jump scares, even if most of them still lack actual scariness. Linda Cardellini is great as the lead, but every character is compelled to make dumb decisions to move the plot forward. Some characters needed more care in their scripts, and more focus on the story to tell instead of just creating scares after scares. Close, but not close enough … Rating: C+
Where I'm from, this was marketed as _The Curse of the Weeping Woman_ 'cause I guess Australia can't be trusted with to pronounce a Spanish word. Similarly, I guess Warner Bros. can't be trusted to make a horror movie without cramming it into the bloated _Conjuring_ franchise. I love seeing Linda Cardellini get work, but I don't know that a La Llorona movie was the best choice to put her in lead of, and I do know that **this** La Llorona movie was a bad choice, just like... Generally speaking. "Bad" might be too far. Bland? Old hat? Something along those lines might be a label that fits a little better. Definitely not the label "good" though. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Acting was fine but the rest was one big cliche of the supernatural-horror genre with too many jump scares and the evil entity pretty much reminded me of the Nun, which makes sense since this is set in the Conjuring Universe.
<em>'The Curse of La Llorona'</em> entertained me! First and foremost, the La Llorona demon is exactly what I wanted <em>'The Nun'</em> to be - creepy without words, a perfect mix. The filmmakers utilise the character nicely, as well as importantly setting the right tone. Not to quote Gloria Stuart, but it feels like forever since I've enjoyed a movie from this franchise - and this isn't even an 'official' part of <em>'The Conjuring'</em> universe (which probably explains why it's actually good - harsh, yet true). That's not to say it's amazingly made, e.g. there is some iffy writing; that part near the end with the doll is rather dumb, if ignorable. Linda Cardellini brings a very good performance, while Raymond Cruz is a neat piece of casting. Roman Christou and Jaynee-Lynne Kinchen make for solid kid actors, too. Tony Amendola appears as Father Perez, but remember it's absolutely <b>not</b> a part of <i>the</i> franchise... The bad reception that this has got is a shame, not that it changes the way I see it. A perfect example of why it's good to form your own opinions with film, because apparently <em>'The Conjuring 2'</em> is good but this is bad - the opposite is true for me. Me and this franchise don't click correctly, evidently.
I love that this is part of the Conjuring Universe, as this is a common folk tale told in Latin American households. I know we used it to test how brave other kids were, as there were horrible stories of people seeing her face and getting scratched in the bathrooms. I really enjoyed this telling of the story as it was terrifying and had scary jump moments to it. Great cast, great facial expressions they were able to carry throughout the film
