FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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メン・イン・ブラック:インターナショナル
メン・イン・ブラック:インターナショナル

メン・イン・ブラック:インターナショナル

“地球は、ド派手に裏切られる。”

20191h 54m★ 5.9コメディサイエンスフィクションアクションアドベンチャー

あらすじ

黒いサングラスでブラックスーツに身を包み、地球上に生息するエイリアンの監視・取り締まりを行う最高機密機関「メン・イン・ブラック」(MIB)。エリート新人女性エージェントMは、ロンドン支部でイケメンチャラ男だが敏腕のエージェントHとチームを組み、MIB内部に潜伏するスパイを摘発する任務にあたる。エージェントの姿に化けたエイリアンを探す為、イギリス、フランス、モロッコと世界各国で捜査を進める二人に危機が迫っていた。スパイが仕掛けた裏工作により、逆に二人はMIBから追われる身となってしまう―。

作品考察・見どころ

本作の最大の魅力は、主演二人が魅せる圧倒的なケミストリーと、シリーズの伝統を再構築した華やかなスタイリッシュさにあります。クリス・ヘムズワースの軽妙なユーモアとテッサ・トンプソンの知性が絶妙に火花を散らし、異星人との交流を単なるSFアクションの枠を超えた、バディ・ムービーとしての極上のエンターテインメントへと昇華させています。 さらに、ロンドンやモロッコなど世界各地を舞台にした映像美は、観る者を日常から切り離し、未知への好奇心を激しく刺激します。組織内の世代交代や信頼の在り方を描くメッセージ性は、古き良き伝統を敬いつつも、新しい時代を切り拓こうとする力強い意志に満ちています。映像ならではの驚異的なガジェット描写と共に、世界を救う高揚感をぜひ五感で味わってください。

興行成績

製作費: $110,000,000 (165億円)

興行収入: $253,890,701 (381億円)

推定収支: $143,890,701 (216億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

クリス・ヘムズワース
クリス・ヘムズワース
Agent H
テッサ・トンプソン
テッサ・トンプソン
Agent M
クメイル・ナンジアニ
クメイル・ナンジアニ
Pawny (voice)
レベッカ・ファーガソン
レベッカ・ファーガソン
Riza
レイフ・スポール
レイフ・スポール
Agent C
エマ・トンプソン
エマ・トンプソン
Agent O
リーアム・ニーソン
リーアム・ニーソン
Agent High T
Laurent Bourgeois
Laurent Bourgeois
Alien Twin
Larry Bourgeois
Larry Bourgeois
Alien Twin
ケイヴァン・ノヴァク
ケイヴァン・ノヴァク
Vungus / Nasr / Bassam

スタッフ・制作会社

監督: F・ゲイリー・グレイ

脚本: Lowell Cunningham / Matt Holloway / Art Marcum

音楽: ダニー・エルフマン / クリス・ベーコン

制作: E. Bennett Walsh / Walter F. Parkes / Laurie MacDonald

撮影監督: Stuart Dryburgh

制作会社: Amblin Entertainment / Parkes+MacDonald Image Nation / Columbia Pictures / Tencent Pictures

TMDB ユーザーのレビュー

SWITCH.
SWITCH.
★ 5

'MIB: International' sounds like a good idea on paper, from the cast and the director - even for the franchise, the idea to go “International” sounds really exciting and a great way to expand the world without being too tied to the original films. Unfortunately, it’s just another boring blockbuster using a nostalgic property to make a quick buck without understanding what made the lighting in a bottle that was the first film work. We didn’t even get a rap tie-in song from Will Smith or even Pitbull, and that’s what truly hurts the most. - Chris dos Santos Read Chris' full article... https://www.maketheswitch.com.au/article/review-men-in-black-international-wish-we-could-memory-wipe-this-one

Rodney Wollam
Rodney Wollam
★ 5

Chris Hemsworth just makes everything better. The only good parts of Ghostbusters was Hemsworth. His Thor movies were the best of the MC individual movies and his presence made the Avengers movies that much more enjoyable. Similarly, his levity here made a decline from MiB3 more tolerable. He's just fun to watch.

Gimly
Gimly
★ 5

They've changed the setting, the leads, the journey cycle, the effects, (most of) the supporting cast, the tone, and the timeframe, yet somewhere we still have the exact same plot. Four for four on _Men in Black_ with the EXACT. SAME. PLOT. I was entertained though, so, there's only so much I can complain really. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

Dusker
Dusker
★ 5

Yikes... The most challenging thing about watching Men In Black: International, was enduring Chris Hemsworth attempting 'acting'. I find his attempts at portraying the rogue-ish film character archetype he's trying for to to be utterly charmless, devoid of any ability to portray the humour or any sense of timing, or charisma, that the character is straining and screaming for.

Filipe Manuel Neto
Filipe Manuel Neto
★ 7

**Despite the radical break with the previous films and characters, the film has its value and brings a certain new blood to the franchise.** The MIB franchise got off to a good start, had a bad time with the second movie, and picked up a bit in the third movie. These three films, however, were the result of the direction of Barry Sonnenfeld, who now leaves the project and gives the direction to Felix Gray. The leads, Will Smith and Tommy Lee Jones, also do not return to their roles, which makes the film, basically, a spin-off. The script is a breath of fresh air: we abandon American soil and leave behind what we know. The story is set almost entirely in Europe, between London and Paris. It is there that the new Agent M will train. She has known about the existence of the agency since she was a child, she always wanted to belong to it, and now she has her chance. In London, she is under the guidance of her chief, Agent High T, and collaborates with Agent H, who is considered to be the best British agent. After the death of a royal from an alien planet in their care, they realize that an invasion of Earth is imminent, and it is up to them to prevent this threat. Honestly, it took me a while to form an opinion about this film. On the one hand, the franchise desperately needed an injection of new blood and new stuff. They just couldn't insist on a sold-out formula! On the other hand, I understand those who may feel disappointed in their expectations, as familiar faces (in particular Smith and Jones) have disappeared from the scene. After thinking a little about what I saw, I came to the conclusion that the risk of cutting radically with what had been done before and presenting to the public something made with different actors was, perhaps, a good idea. It will never please everyone, especially Will Smith and Tommy Lee Jones fans, or those who understand that there should have been a line of continuity between all the movies, but I handled it all well, and I think the changes had more advantages than disadvantages. Of course, this might not have worked out so well if the script and characters hadn't been well conceived. In fact, the characters were well-thought-out, have strength and character, and are not far behind those we already knew, especially M and H. The choice of actors was also happy: I liked the work of Tessa Thompson and Chris Hemsworth, and the way as the film avoids the temptation to create some romantic sub-plot between them, which would have been too cliché. Sadly, Emma Thompson has little to do in this film, but what she does is well done. Liam Neeson is an extremely skilled and competent actor and does his job very well, but from the middle of the film, his character is an obvious villain that is handed over to us in an overly simplistic way. Technically, the film has many qualities, starting with a very good cinematography with good lighting and an intelligent and elegant use of colors. The camera does a dynamic job and follows the movement, especially in the action scenes. The film strongly bets on a stylized look, in the night scenes, and on the good quality CGI that the green screen allows and that often dispenses with the use of filming on location. Unfortunately, and I've felt this more than once, London and Parisian environments sound too fake and artificial, that is, it's all too evident that it's all done digitally. I liked the generality of the aliens and their look, sometimes original and bizarre. The sets and costumes are generally good, and I liked the way the characters' black suits were, this time, more individualized. As for the soundtrack, which inherits some previous leitmotifs, it is reasonably forgettable.

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