Hors-la-loi
あらすじ
No synopsis available.
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
製作費: $30,000,000 (45億円)
興行収入: $3,470,487 (5億円)
推定収支: $-26,529,513 (-40億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $30,000,000 (45億円)
興行収入: $3,470,487 (5億円)
推定収支: $-26,529,513 (-40億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Rachid Bouchareb
脚本: Rachid Bouchareb
音楽: Armand Amar
制作: Muriel Merlin / Tarak Ben Ammar / Jean Bréhat
撮影監督: クリストフ・ボーカルヌ
制作会社: Agence Algérienne pour le Rayonnement Culturel / Établissement Public de Télévision (EPTV) / Tassili Films / Tessalit Productions / StudioCanal / France 2 Cinéma / France 3 Cinéma / Kissfilms / Novak Prod / RTBF / Quinta Communications / Eagle Pictures
Set against the increasing demands for Algerian independence at home, three brothers are living in 1950s France. "Saïd" (Jamel Debbouze) is making a decent living running a nightclub but his siblings are much less settled. "Abdelkader" (Sami Bouajila) is a member of a proscribed organisation using terrorist tactics to free their homeland, and he is determined to recruit former soldier "Messaoud" (Roschdy Zem) and "Saïd" to the cause. The latter isn't really interested, but with the police closing in on the family and his nightclub shut down, he now has some tough decisions to make. There's something of the terrorist being another man's freedom fighter adage to this story and it's essentially asking the question of an audience. What wouldn't we do for freedom? The brothers have fled Algeria to escape the purported brutality of their oppressive colonialists, but now in France they are visiting a similar threatening behaviour on innocents there. Two wrongs make a right? Were the police there to protect or to impose? All questions asked but sadly not really very well addressed. The acting is weak, the characters seriously undercooked and the writing (historically based or not) struggles to sell us these three men one way or the other. This had a chance to enhance the standard documentary look of a depiction of the justice and causes of revolution but instead it rather leaves it to us, and any knowledge of events we may have, to reach our own conclusions. Disappointing, I'd say.
