“快楽の限界。”
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $2,500,000 (4億円)
興行収入: $4,700,000 (7億円)
推定収支: $2,200,000 (3億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: ガス・ヴァン・サント
脚本: ガス・ヴァン・サント / Daniel Yost / James Fogle
制作: Karen Murphy / Nick Wechsler / Cary Brokaw
撮影監督: Robert D. Yeoman
制作会社: Avenue Pictures
I reckon this might be the best effort I’ve seen from Matt Dillon as his “Bob” leads a small group of drug addicts who have finessed the art of stealing prescription medication from pharmacies and hospitals alike before retreating to a motel room and an amiable haze of booze and sex. He’s accompanied on his adventures by his wife “Dianne” (Kelly Lynch) and his understudy “Rick” (James Le Gros) and his gal “Nadine” (Heather Graham) who is very, very, green. Of course, their antics have attracted the attention of law enforcement and wily detective “Gentry” (James Remar) is soon on their trail. Aware that they might be living on borrowed time, they flee their usual stomping grounds until a tragedy befalls the group and that has quite a profound effect on a “Bob” who may now be having his own Damascene moment. Is it all going to be too little, too late, though? Both the convincing Lynch and Dillon manage to imbue their roles with quite a degree of personality here; their characterisations are gritty and plausible and well supported by both the others and by a production design that offers us an uncomfortable glimpse into the lives of these (and potentially other) addicts. There’s plenty of pith from the dialogue and even though what they are doing is destructive and illegal, they still manage to illicit a degree of sympathy as things unfold in an almost pitiable fashion. It also takes quite a potent look at societal attitudes to addiction and ask questions about just what solutions we might suggest instead of incarceration and/or state imposed cold turkey.
