FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

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俺たちに明日はない
俺たちに明日はない

俺たちに明日はない

“ボニーとクライド”

19671h 51m★ 7.5犯罪ドラマ

あらすじ

不況時代のアメリカ30年代に実在した男女二人組の強盗、ボニーとクライドの凄絶な生きざまを描いた、アメリカン・ニューシネマの先駆け的作品。ケチな自動車泥棒だったクライドは、気の強いウェイトレスの娘ボニーと運命的に出会い、コンビを組んで強盗をやりはじめる。二人は順調に犯行を重ねていくが……。アカデミー賞2部門を受賞(助演女優賞エステル・パーソンズと撮影賞)した。

作品考察・見どころ

映画「俺たちに明日はない」は、ハリウッドの文法を根底から塗り替えた革命的な一作です。若さゆえの焦燥感と、既成概念を打ち破ろうとする刹那的なエネルギーが全編に溢れています。フェイ・ダナウェイのアンニュイな美しさと、ウォーレン・ベイティが体現する不完全な男の虚勢。この二人が織りなす危うい逃避行は、現代にも通じる閉塞感と自由への渇望を鮮烈に象徴しています。 特筆すべきは、祝祭的なムードと凄惨な暴力が背中合わせにある演出の妙です。アーサー・ペン監督による斬新な編集は、死の予感を一種の官能美へと昇華させました。自由を求め、社会の枠組みから逸脱した彼らが迎える鮮烈な幕切れは、観る者の心に消えない痛みと解放感を刻み込みます。美しくも残酷な青春の真理を突いた、至高の映像体験と言えるでしょう。

興行成績

製作費: $2,500,000 (4億円)

興行収入: $70,000,000 (105億円)

推定収支: $67,500,000 (101億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

ウォーレン・ベイティ
ウォーレン・ベイティ
Clyde Barrow
フェイ・ダナウェイ
フェイ・ダナウェイ
Bonnie Parker
Michael J. Pollard
Michael J. Pollard
C. W. Moss
ジーン・ハックマン
ジーン・ハックマン
Buck Barrow
Estelle Parsons
Estelle Parsons
Blanche
Denver Pyle
Denver Pyle
Frank Hamer
ダブ・テイラー
ダブ・テイラー
Ivan Moss
Evans Evans
Evans Evans
Velma Davis
Gene Wilder
Gene Wilder
Eugene Grizzard
No Image
Mabel Cavitt
Bonnie's mother (uncredited)

スタッフ・制作会社

監督: Arthur Penn

脚本: ロバート・ベントン / David Newman

音楽: Charles Strouse

制作: ウォーレン・ベイティ

撮影監督: バーネット・ガフィ

制作会社: Tatira-Hiller Productions / Warner Bros.-Seven Arts

TMDB ユーザーのレビュー

John Chard
John Chard
★ 10

Good afternoon, we are the Barrow gang. Bonnie & Clyde stands today as one of the most important films of the 60s, it's impact on culture alone marks it out as a piece of work to note, but as gangster films go this one is something of a landmark. Quite how writers Newman & Benton managed to craft a story of two deadbeat outlaws into cinematic heroes is up for any individual viewers scrutiny, but they bloody well do it because we all want to be in the Barrow gang, because we get lost in this romanticised outlawish tale unfolding in front of our eyes. The film is a fusion of incredible violence and jaunty slapstick, and smartly pauses for delicate moments to let us into the psyche of the main protagonists, we know they have hangups, and with that we know they are fallible human beings, and this sets us up a treat for the incredible jaw dropping finale, and the impact of this finale hits as hard now as it did back with the audience's of 1967. The cast are incredible, Warren Beatty gives a truly brilliant performance as Clyde, he looks good and suave tooting those guns, but it's in the tender troubled scenes where he excels supreme. Faye Dunaway as Bonnie is the perfect foil for Beatty's layers, she nails every beat of this gangsters troubled moll. Gene Hackman, Michael J Pollard, and Estelle Parsons put the cherry on the icing to give depth and range to the rest of the Barrow gang, and these fine actors are clothed in gorgeous cinematography courtesy of Burnett Guffrey. To round out the plaudits I finish with love for director Arthur Penn because it's his vision that gives us something of a nostalgic movie that plays up and down with its subjects with cheeky aplomb, in fact it's just like the banjo music that features so prominently throughout this wonderful film. Nominated for 9 Oscars it won just the two, the entire actors who played the Barrow gang were nominated, and truth be told they all would have been worthy winners, as it is they gave out just the one to the least strongest performance from Estelle Parsons, go figure. It's legacy both in culture and box office lives on and for me Bonnie & Clyde is not only one of the best films of the 60s, it's also one of the best in history. 10/10

CinemaSerf
CinemaSerf
★ 7

Bonnie Parker (Faye Dunaway) just happens to look out of her window one morning and spots a rather unsavoury looking fella (Warren Beatty) eyeing up her mother's car. Quick as a flash she is dressed and they are in this car never to look back. Realising that they are broke, they decide that robbing provincial shops and garages is actually a lucrative dawdle. It's at a garage, indeed, that they recruit CW Moss (Michael J Pollard) before hooking up with his brother Buck (Gene Hackman) and his wife Blanche (Estelle Parsons) before escalating their crime spree to banks and, of course, resulting in a fatality that cannot fail to galvanise the authorities. Soon they are most wanted with just about every cop in the state on their trail. Fortunately, these are not the best aimers - and their legend begins to grow. They are fêted wherever they go - a poverty stricken population seeing much to admire in their "entrepreneurial" spirit. It's history, so we know what happens - but that isn't really too important. Arthur Penn has put together a strong cast - especially Parsons who is great as the hysterical wife caught up in it all and Dub Taylor as the duplicitous "Moss Snr". The attention to detail is impressive - it looks great, the motor cars really didn't look like they could pull the skin off a custard. Beatty and Dunaway simply ooze chemistry and as the story progresses I challenge anyone not to be on their side... It's as entertaining and enjoyable to watch on screen as it is to read about the machinations of many in getting the thing made in the first place.

Dr_Nostromo
Dr_Nostromo
★ 8

78/100 A fictionalized (but fairly accurate with the main points) depiction of the short career of Bonnie Parker and Clyde Barrow as notorious bank robbers and killers during the depression years of the early 30's. All the actors in this did stupendous jobs giving their characters a wealth of personality, humor, and depth making them likable and someone to cheer for despite their sociopathic ruthlessness. If you're unfamiliar with their tragic story, this is a good place to start for some broad information ...as well as damn good entertainment. -- DrNostromo.com

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