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Scotty and the Secret History of Hollywood
Scotty and the Secret History of Hollywood

Scotty and the Secret History of Hollywood

20181h 38m★ 6.0ドキュメンタリー

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興行収入: $176,236 (0億円)

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キャスト

No Image
Scotty Bowers
Self
No Image
William Mann
Self
No Image
David Kuhn
Self
スティーヴン・フライ
スティーヴン・フライ
Self
Peter Bart
Peter Bart
Self
No Image
Lois Bowers
Self
Matthew Hoffman
Matthew Hoffman
Self
No Image
Paul Teetor
Self
No Image
Jack Kimberling
Self
Michael Childers
Michael Childers
Self

スタッフ・制作会社

監督: Matt Tyrnauer

音楽: Jane Antonia Cornish

制作: Miles Benickes / Corey Reeser / Lionel Friedberg

撮影監督: Chris Dapkins

制作会社: Water's End Productions / Wavelength / Altimeter Films / Greenwich Entertainment

TMDB ユーザーのレビュー

cityguide
cityguide

“Scotty and the Secret History of Hollywood” wears a lot of hats, none of which quite fits. A salacious tell-all about the hidden sex lives of postwar movie stars; a peek at the underbelly of the repressive moral dictates of the studio system; a breezy biography of a self-described Hollywood prostitute and procurer; and a psychosexual study of a possibly damaged victim of extreme childhood abuse. Only the last offers a clue to interpreting the movie’s more astonishing revelations and unprobed corners. Until then, Matt Tyrnauer’s gossipy portrait of Scotty Bowers, an impish nonagenarian and former Marine, listens without judgment as he describes decades of servicing the closeted hungers of stars like Rock Hudson and Katharine Hepburn, helped by an eager network of World War II buddies. Back then, in a couple of trailers behind a gas station on Hollywood Boulevard, $20 could buy just about anything. Meandering behind Mr. Bowers as he shares faded photographs of extravagantly endowed young men and prurient factoids about his famous “tricks” — cheekily illustrated with scenes from classic movies that read rather differently in hindsight — Mr. Tyrnauer surreptitiously hoses away the layers of dirt to reveal the fragility of his subject’s anything-goes hedonism. Benevolent hustler (he never took a cut of others’ action) or naughty fabulist — perhaps both — Mr. Bowers putters around his hoarded Hollywood Hills home and gazes into the hole in his patio deck as if searching for something lost long ago. Consequently, what starts out salty ends up as something sadder and more complicated. And when he unabashedly recalls a childhood rife with sexual encounters — which he insists were consensual — with adults, the camera fixes on his mile-wide grin and we wonder if his mission to meet the needs of others has somehow ignored his own.

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