“世界を救うのはヒーローじゃない――オタクだ。”
あらすじ
2019年。世界線変動率「1.048596」フォンドロイド??通称『ポケコン』の普及により、拡張現実が身近な存在となった近未来の種子島。そんな島にある中央種子島高校『ロボット研究部』は廃部の危機に直面していた。
作品考察・見どころ
AIが作品の魅力を深く読み解いています
“世界を救うのはヒーローじゃない――オタクだ。”
2019年。世界線変動率「1.048596」フォンドロイド??通称『ポケコン』の普及により、拡張現実が身近な存在となった近未来の種子島。そんな島にある中央種子島高校『ロボット研究部』は廃部の危機に直面していた。
AIが作品の魅力を深く読み解いています
制作: Tatsuya Matsubara / 井上貴允
撮影監督: 小西庸平
I particularly like most of Mike Leigh’s movies, so it is surprising that I took so long to get around to watching Topsy Turvy. A few of his films are on my list of favorite films out there, but sadly this effort did not threaten to crack that list. Not that I didn’t enjoy it overall. It was entertaining and fun, though it hovered on minor scenes sometimes on its way to lasting two hours and forty minutes. And it was interesting to see how the Gilbert and Sullivan characters worked together, assuming it is somewhat accurate portrayal of the actual historical duo. Finally, it features four of my favorite British actors: Lesley Manville, Timothy Spall (who disappears into the role of the Mikado), Alison Steadman and Jim Broadbent. One element that kept me from enjoying the movie even more was the tendency for the characters to mutter to each other when conversing. I turned up the volume at those times, which not only failed to solve the problem completely, but then when the scene changed into one of the great choruses from the Mikado, it blasted me out of my seat. Then I’d turn it down, wait and repeat. So I cautiously recommend watching Topsy Turvy, especially if you like understated British movies, or for that matter, The Mikado.
