FindKey

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To Dream
To Dream

To Dream

20161h 20m★ 6.5ドラマ

あらすじ

No synopsis available.

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作品考察・見どころ

AIが作品の魅力を深く読み解いています

原作・関連書籍

映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。

スタッフ・制作会社

監督: Nicole Albarelli

口コミ

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キャスト

Billy Barratt
Billy Barratt
Young Luke
No Image
Jayson Benovichi Dicken
Shopkeeper
Jon Campling
Jon Campling
Mr. Soso
Adam Deacon
Adam Deacon
Easy
Kirsty Dillon
Kirsty Dillon
Helen
Chelsea Edge
Chelsea Edge
Lex
Edward Hayter
Edward Hayter
Luke
Frank Jakeman
Frank Jakeman
Charlie
Harry Rafferty
Harry Rafferty
Bar Guy Mate
Freddie Thorp
Freddie Thorp
Tommy

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

This did have some potential, if only we could have heard what was being said! The audio recording and mixing is terrible. That’s not just a gripe, it actually means that half the time we are left to guess what “Luke” (Edward Hayter) and lifelong friend “Tommy” (Freddie Thorp) are saying and at times that is just plain irritating. These two men have a dream. That is to escape the mundanity and hopelessness of their London existence and head to America. The latter lad is a bit reckless, and is gradually becoming subsumed into a world of pretty crime and drug dealing. The only thing that holds him back is his devotion for his friend. “Luke” lives with his parents, is regularly thumped by his dad and has a girlfriend “Nikki” (Diana Vickers) with whom he struggles to quite commit, if you see what I mean. Anyway, “Tommy” isn’t a fan of her, indeed the green eyed monster is never far away and ultimately that leads him to start a domino effect of lies that could well have perilous consequences for just about everyone. It’s really a short story, this, and though both Hayter and Thorp work well enough when they are together on screen, the rest of this struggles to stand out amongst a slew of gritty London street dramas that (homo)sexualises a plot that we’ve seen plenty of times before. It’s clearly been done of a minimal budget and the visuals work fine, as does the thrust of a story of blind loyalty and irresponsibility, but once it’s set up the plot simply runs out of steam. In some ways it reminded me of “Shank” (2009) only not as characterful or gritty.

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