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La Diagonale du fou
La Diagonale du fou

La Diagonale du fou

19841h 40m★ 5.8ドラマスリラー

あらすじ

No synopsis available.

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Richard Dembo

脚本: Richard Dembo / Peter Fernandez

音楽: Gabriel Yared

制作: Arthur Cohn / Martine Marignac

撮影監督: Raoul Coutard

制作会社: Ministère de la culture / Michael Arthur Films / La Cécilia

口コミ

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キャスト

ミシェル・ピコリ
ミシェル・ピコリ
Akiva Liebskind
Александр Арбат
Александр Арбат
Pavius Fromm
リヴ・ウルマン
リヴ・ウルマン
Marina Fromm
レスリー・キャロン
レスリー・キャロン
Henia Liebskind
Wojciech Pszoniak
Wojciech Pszoniak
Le grand maître Felton - l'équipe de Fromm
ジャン=ユーグ・アングラード
ジャン=ユーグ・アングラード
Miller, l'équipe de Fromm
Daniel Olbrychski
Daniel Olbrychski
Tac-Tac, l'équipe de Liebskind
Hubert Saint-Macary
Hubert Saint-Macary
Foldes
Michel Aumont
Michel Aumont
Stepan Ivanovitch Kerossian - l'équipe de Liebskind
No Image
Pierre Michaël
Yachvili

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

Veteran communist grand master “Akiva” (Michel Piccoli) is in Geneva for the world chess championships against lapsed Soviet “Pavius” (Alexander Arbatt) and it’s quite a grudge match. He won’t even shake his opponent’s hand beforehand. It’s fairly clear that this older man has health issues, but his adversary is not without his own problems as his wife - whom he didn’t defect with - is now seeking a divorce and is soon a pawn of a different kind. With gamesmanship rife inside and outside the press-packed auditorium, this drama follows both men as it fills in some back story and tries to explain why the men are at a loggerheads - all amidst the politics of winning that was publicly crucial to both teams and their ideologies. If you remember the Spassky and Fischer contest from the early 1970s, you’ll appreciate just how much store was set by these intellectual versions of the Cold War and this tries to capitalise a little on those tensions, but the breakneck speed at which the games are played -  with little focus on the strategy or skill involved, leaves us devoid of much that is cerebral here. Instead it focuses more on the melodrama of their lives and with a production that lacks for much by way of imagination, I felt underwhelmed by both their characterisations and the undercooked political machinations that promised much, but that delivered little. It’s watchable enough, but I’ve seen more dangerous moves on a dance floor at 3am.

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