“世界で一番有名な4人のニューヨーカーたちは今日も輝き続けている—。”
セックス・コラムニストのキャリーは理想の男性ミスター・ビッグと一緒に暮らすため瀟洒なアパートを購入し、次いで結婚も決意する。PR会社社長のサマンサは俳優を目指す恋人スミスを売り込むためにL.A.に引っ越し、再婚したシャーロットは中国から養女を迎え念願の母親に。弁護士のミランダは幼い息子と老いた義母を抱え、てんてこまいの日々を送っていたが、彼女たちはキャリーを祝福し結婚式の準備を進める―
AIが作品の魅力を深く読み解いています
製作費: $65,000,000 (98億円)
興行収入: $418,800,000 (628億円)
推定収支: $353,800,000 (531億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
脚本: Michael Patrick King / Candace Bushnell
音楽: Aaron Zigman
制作: Michael Patrick King / Jonathan Filley / サラ・ジェシカ・パーカー
撮影監督: John Thomas
制作会社: Darren Star Productions / New Line Cinema / HBO
I didn’t watch any of the television series, twenty years earlier, upon which this was based so came to this new - and for a while it’s quite enjoyable. It picks up the story of four women, all of whom are now approaching their fifties, and is narrated by “Carrie” (Sarah Jessica Parker) as she looks forward to the wedding of the decade with her very own “Mr. Big” (Chris Noth). Meantime, “Samantha” (Kim Cattrall) is starting to have doubts about her relationship with her hard-working, heart-throb, actor (Jason Lewis); “Miranda” (Cynthia Nixon) has had some fairly earth-shattering news from husband “Steve” (David Eigenberg) and it seems “Charlotte” (Kristin Davis) is the only one content with her lot, and with “Harry” (Evan Handler). With all of this confusion reigning, it’s hardly surprising that tempers are fraying, trusts are straining and people are readily getting the wrong end of the stick. Of course, when the big wedding goes pear shaped as we fully expect, that leaves the four women to evaluate where they are with their lives, loves and Louis Vuitton. My problem here was that it’s all just too sluggish. It has moments of sexiness and comedy, but it’s as if each gal was promised one quarter of the storyline - whether their character deserved it or not, and so we end up with lots of excess padding, especially around Nixon and Cattrall’s undercooked characters. Clearly they all know their roles backwards, but that just added a certain soapiness to a film that comes across as simply an extended version of one of it’s earlier glamorous and more bitchy editions. A bit like the Christmas specials we used to get on television, only we are coming in at the end when it has passed it’s best and lost the pithiness that made it good in the first place. Had they shaved half an hour from it and focussed more on the outrageousness elements, I might have enjoyed it more but in the end I felt it more a poor relation of “Absolutely Fabulous” only with more fake tan.
