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Orphée
Orphée

Orphée

19501h 35m★ 7.7ロマンスファンタジードラマ

あらすじ

No synopsis available.

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スタッフ・制作会社

監督: Jean Cocteau

脚本: Jean Cocteau

音楽: Georges Auric

制作: André Paulvé

撮影監督: Nicolas Hayer

制作会社: Films du Palais Royal / Andre Paulve Film

口コミ

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キャスト

Jean Marais
Jean Marais
Orphée
フランソワ・ペリエ
フランソワ・ペリエ
Heurtebise
María Casares
María Casares
Death
Marie Déa
Marie Déa
Eurydice
Henri Crémieux
Henri Crémieux
Editor
Juliette Gréco
Juliette Gréco
Aglaonice
Roger Blin
Roger Blin
The Poet
Edouard Dermithe
Edouard Dermithe
Jacques Cégeste
André Carnège
André Carnège
Judge
No Image
René Worms
Judge

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

Accomplished poet "Orphée" (Jean Marais) is sitting in a café with a friend one afternoon when a fracas breaks out with some local students that necessitates the intervention of the police and causes a tragedy to occur. A woman in a Rolls Royce turns up and asks her aides to put an injured man into her car. Shen then rather bossily requires the writer to accompany her as a witness. He assumes they are going to hospital, but it turns out the man - "Cegeste" (Edouard Dermithe) is already dead and that she (María Casares), well she is certainly not the "princess" she purports to be. If you're at all familiar with the "Orpheus" episode from Greek legend then you will be able to guess much of the rest of this as he finds himself embroiled in the plottings of Death. The complication here is that she takes a bit of a shine to him, and her chauffeur "Heurtebise" (Francois Périer) falls in love with his wife "Eurydice" (Marie Déa). My what a web we do weave. Now all in the underworld, a tribunal of death rules that things have not gone to plan and that the husband and wife are to be returned to their world - but only for so long as he doesn't look at her - else back she goes. A little unfair I thought given they'd done nothing wrong and weren't on the hit list in the first place - but that was the deal. Can they make it work? Now, do they even want to? I found Marais could be quite wooden at times, indeed he might have made for a decent "Tarzan" - but here he gels well with both Déa and with a strikingly effective Casares. Cocteau manages to integrate the ancient mythology within a modern day setting in a fashion that cleverly uses simple visual effects - and mirrors - to achieve the concept of a parallel world of "Hades" without making it all look ridiculously fake. He also manages to remove just about all the gooey sentiment from this romance, too. Next time you look at a pair of rubber gloves, though - best beware!

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