FindKey

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マスターズ・オブ・ユニバース
マスターズ・オブ・ユニバース

マスターズ・オブ・ユニバース

20262h 21m★ 7.1アクションファンタジーサイエンスフィクション

あらすじ

No synopsis available.

作品考察・見どころ

剣と魔法、そして最先端の科学技術が融合した壮大な世界観は、観客の想像力を極限まで押し広げます。この作品の真の魅力は、単なる勧善懲悪を超えた「自己の覚醒」というテーマの深さにあります。圧倒的なスケールで描かれる異世界の情景は、一コマ一コマが芸術的な美しさを放ち、観る者を未知の興奮へと強烈に誘い込みます。 主演のニコラス・ガリツィが見せる高潔な佇まいと繊細な演技は、英雄の孤独と責任を鮮烈に体現しています。対するカミラ・メンデスやアリソン・ブリーの力強い存在感も、物語に重層的な緊張感を与えています。力とは何か、そして真の勇気とはどこに宿るのか。本作が提示する魂の咆哮は、現代に生きる我々の心を熱く震わせる至高の映像体験となるはずです。

興行成績

製作費: $200,000,000 (300億円)

興行収入: $101,914,098 (153億円)

推定収支: $-98,085,902 (-147億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

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予告・トレイラー

キャスト

ニコラス・ガリツィ
ニコラス・ガリツィ
Adam Glenn / He-Man
Camila Mendes
Camila Mendes
Teela
イドリス・エルバ
イドリス・エルバ
Duncan / Man-At-Arms
ジャレッド・レト
ジャレッド・レト
Skeletor
アリソン・ブリー
アリソン・ブリー
Evil-Lyn
Jóhannes Haukur Jóhannesson
Jóhannes Haukur Jóhannesson
Malcolm / Fisto
Jon Xue Zhang
Jon Xue Zhang
Ram-Man
Sam C. Wilson
Sam C. Wilson
Kronis / Trap Jaw
Charlotte Riley
Charlotte Riley
Queen Marlena
James Purefoy
James Purefoy
King Randor

スタッフ・制作会社

監督: トラヴィス・ナイト

脚本: クリス・バトラー / Aaron Nee / Adam Nee

音楽: ダニエル・ペンバートン / Brian May

制作: ロビー・ブレナー / トッド・ブラック / ジェイソン・ブルメンタル

撮影監督: Fabian Wagner

制作会社: Escape Artists / Mattel Studios / Amazon MGM Studios

TMDB ユーザーのレビュー

JPV852
JPV852
★ 7

Just a fun, light-hearted sci-fi actioner that harkens back to my childhood most of the time. Nothing groundbreaking in terms of story but I thought Nicholas Galitzine did a solid job as He-Man and shared good chemistry with Camila Mendes. Idris Elba as always was charismatic no matter what he's in. Not sure why they paid Jared Leto as it doesn't sound nor look like him. The action scenes were well done and special effects were quite good. I'll probably watch again once it hits home video ( 4K). **3.5/5** Side note: I saw this at the Cinemark Screen X (guess their version of IMAX). Interesting concept with not only the giant screen but visuals on the sides for certain scenes. Not sure I'd pay for that upgrade but I have become accustomed to the D-Box seats if only to have some separation from people beside me.

GenerationofSwine
GenerationofSwine
★ 10

It's so woke, stay away stay away.... just joking, it's not woke at all. The "Girl Power" moments are when He-Man was Adam before he became He-Man and fit well with the plot, the crazy cultist actually did a great job as skelator... like he actually did a great job. It paid homage to the cartoon. It was colorful, I mean it seriously popped and I appriciate that, it made it look fun and drew me in. It respected the cartoon, it respecte the IP, it respected the fans, it really didn't shout politics, it didn't pull a Kevin Smith and insult He-Man for being masculine.... ... in short it was just a fun and entertaining film that was made for the nostalgia seeking fans. However, some of the jokes didn't work, they didn't fit, they felt too MCU, especially in the first half. It was a little too long, especially for what it was, and took forever for the plot to really set in. But who cares, He-Man seems like a PRIME target for the anti-male, anti-white, anti-straight, anti-everything crowd to target.... and IT DIDN'T. It was pretty fun and politics free and I honestly was SHOCKED. I went to hate watch it. Watch it, it's just entertaining. You don't get lectured. It's refreshingly not woke crap.

CinemaSerf
CinemaSerf
★ 6

We learn quite quickly that the weedy "Adam" has only just escaped with his life and the sword of power as "Skeletor" (Jared Leto doing his best impersonation of the deceased Alan Rickman) invaded and seized "Castle Greyskull". He (now Nicholas Galitzine) didn't manage to keep hold of the sword for long in his new world, and indeed just ended up in the USA working in HR whilst constantly surfing the internet to track it down before the nasty "Evil-Lyn" (Alison Brie) manages to secure it for her menacing boss. Luckily, and somewhat comedically, "Adam" does manage to find his artefact and then luckily for him his childhood friend "Teela" (Camila Mendes) shows up just in the nick of time to get him back to "Eternia". This is now a decimated world crying out for him to restore the sorceress and the equilibrium of the kingdom. His chances don't look good. His chief enforcer "Duncan" (Sir Idris Elba) has succumbed to the bottle and somewhat neutered his battle robot so it's more adept with a mop than a blaster; and what passes for the rebellion is highly suspicious of this floppy-haired and strangely dressed lad. Now he has to prove himself to just about everyone, including himself, and turn into the "He-Man" they need. The snag with this is that it takes us almost an hour to get back to "Eternia" and so kick start the fantasy elements of the adventure. Once that does get going, I was reminded more of the "Thor" franchise than anything with Dolph Lundgren (who does feature momentarily with some sagely advice). Galitzine does enter into the spirit of the thing, and he's buffed up well but even for a tea-time film, there simply isn't any menace. "Skeletor" barely features until the denouement where there's precisely no jeopardy and we stray perilously closer to soap rather than to peril for me. It looks fine, the visual effects do their job adequately enough, but I really wanted more of "He-Man" than "HR-man". Disappointing, sorry.

Nick
Nick
★ 7

Travis Knight's reboot easily becomes the highest-rated entry in the franchise's film history, and it earns it. Jared Leto's Skeletor steals the show, balancing humor and villainy in a way that lives up to the memes, and Galitzine nails He-Man's heroism and Prince Adam's emotional core. Daniel Pemberton's score embraces the '80s roots with glee. The fun is undeniable — the comedy and action-packed sword-fighting land for critics and audiences alike. It's just 40 minutes too long and leans too hard on self-deprecating meta-humor where sincerity would've hit harder.

Sierbahnn
Sierbahnn
★ 6

This is not a great movie, but that doesn't make it less fun. This is nostalgia bait and anyone who tells you different has fallen for it. It is well produced, obviously. A lot of money has gone into it. The casting is great, the story does what it needs to. The bad guy is comedically comical. The line deliveries are hokey. All of these things that you expect from a Saturday morning cartoon from the 80s. The music stings remind me more of Flash Gordon than it does He-Man. And that's a shame, because Flash Gordon was a far superior movie in that it was hokey but it took itself seriously. This does not. It tries to be both earnest and self-referential, and it comes off as disingenuous and pandering. It's not a great movie. It's a fun watch, but it is utterly forgettable. And the inclusion of Dolph, while appreciated by the older fans I'm sure, does not mitigate the fact that this movie is just another cash grab.

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