FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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30デイズ・ナイト
30デイズ・ナイト

30デイズ・ナイト

20071h 53m★ 6.4ホラースリラー
U-NEXT

あらすじ

No synopsis available.

作品考察・見どころ

太陽の昇らない極夜という極限設定を、これほど残酷かつ美しく描いた作品は稀です。雪の白と鮮血の赤が織りなす強烈な視覚的コントラストは、観る者の本能を揺さぶります。本作の吸血鬼は知性と野生を併せ持つ「絶対的捕食者」として描かれ、従来のロマン主義を徹底的に破壊する絶望感を突きつけてきます。 原作コミックの尖った世界観を、実写ならではの重量感と静寂で昇華した手腕も見事です。ジョシュ・ハートネットが体現する悲痛な決意は、ただのホラーに留まらない重厚な人間ドラマを作品に刻んでいます。閉ざされた闇の中で繰り広げられる生存競争は、まさに映像でしか味わえない恐怖の美学と言えるでしょう。

興行成績

製作費: $30,000,000 (45億円)

興行収入: $80,276,156 (120億円)

推定収支: $50,276,156 (75億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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U-NEXT

キャスト

ジョシュ・ハートネット
ジョシュ・ハートネット
Eben Oleson
Melissa George
Melissa George
Stella Oleson
Danny Huston
Danny Huston
Marlow
Ben Foster
Ben Foster
The Stranger
マーク・ブーン・ジュニア
マーク・ブーン・ジュニア
Beau Brower
Mark Rendall
Mark Rendall
Jake Oleson
Amber Sainsbury
Amber Sainsbury
Denise
Manu Bennett
Manu Bennett
Billy
Megan Franich
Megan Franich
Iris
Craig Hall
Craig Hall
Wilson Bulosan

スタッフ・制作会社

監督: デビッド・スレイド

脚本: Brian Nelson / Stuart Beattie / Steve Niles

音楽: Brian Reitzell

制作: Joseph Drake / Robert Tapert / Aubrey Henderson

撮影監督: Jo Willems

制作会社: HorrorFlix / Columbia Pictures / Ghost House Pictures / Dark Horse Entertainment / Mandate International

TMDB ユーザーのレビュー

Gimly
Gimly
★ 8

**The following is a long form review that I originally wrote in 2010.** A new-age, brilliant vampire movie that never got the acclaim it rightfully deserved. _30 Days of Night_ is one of the few films I like that I can never understand why other people don’t. Though I do prefer other movies like _Revolver, Doomsday and Donnie Darko_ to it, with those I can always understand when people don’t see in them what I do. With _30 Days of Night_, if you don’t have a problem with gore, then you shouldn’t have a problem with the film. And yet I have personal friends as well as people I’ve heard from online who totally dig horror, gore, vampires etc. and yet don’t like _30 Days of Night_, which confuses me all to Hell, let me tell you. Though I was mildly aggravated by the inconstancies in the number of vampires around, other than that I can find virtually nothing bad to say about _30 Days of Night_. Firstly you have Josh Hartnett (_The Faculty_) as Sheriff Eben, protagonist, secondly you have Danny Huston (_The Proposition_) as Marlow, leader of the vampires, who attack Alaska during the winter period of 30 days without sun (which in and of itself is an awesome concept, and thirdly there’s Ben Foster (_Pandorum_) as the vampire’s human lapdog, all of whom are personal favourites of mine. That’s not even mentioning the fact that Eben’s wife is played by Australian Melissa George (_Triangle_), who was born in my hometown, so even if she wasn’t a great actor, she’d get auto-points. Basically every point in which _30 Days of Night_ differentiates from the comic it’s based on is an improvement to the story, which is (gasp, shock, horror) a mildly realistic Vampire film. God forbid. I love the vampires in this. Though they’re not quite as sexy and well-dressed as they are in _Underworld _or as demonic as they are in _Buffy the Vampire Slayer_, they bring a totally new brutality to the vampire class. They wear what you’d expect late 30-ish people living in 2007 to wear, they’re stronger than the average human, but not impossibly so, they hunt in packs and give off bloodcurdling, atavistic shrieks (of which I give quite a good impression; sidenote) they’re unrelenting an animalistic but just as intelligent as a regular person, they’re quick, dark and deadly. There’s no camp to be found here, not always a good thing, but in _30 Days of Night_, it is. I honestly cannot recommend this one enough, despite its intense gore and general panning, I implore you to at the very least give it a go, and decide for yourself. Both the human survivors and the vampire invaders are there simply trying to stay alive, the vamps through their sadistic, systematic hunting of the local populace for their food-source, blood, and the people by trying to both hide, and fight back, but mostly the former. Ironically, it’s the “humanity” of the humans that causes every one of their downfalls, while they’re leached from above by a far superior race, who goes so far as to call humans a “plague” and invent a new language all for themselves, just so as to not have to speak the same filthy way we lower-beings do (and I mean, if your choice was between that and having to put up with American-English, wouldn’t you?). 86% -_Gimly_

David
David
★ 8

Barrow, Alaska. The most northern town in the United States, where for 30 days every year it is has no sunlight. This is the perfect opportunity for a gang of merciless, & blood-thirsty vampires to feed on the remaining inhabitants of this small town, after most leave for the month of darkness. As people are leaving, and others are making preparations for their time of hibernation, mysterious occurrences are uncovered; mobile phones stolen, and destroyed, an entire team of sled dogs butchered. The ground work for the impending doom of a malevolent force. Once the killings and feedings begin there is no let up. I have watched my share of vampire films, and frankly this is definitely one of the best made, its stripped back, bare, and unromanticized. This group of vampires, led by the visceral Marlow (Houston) take no pity on the town of Barrow as they tear it apart looking for their prey, and using people as bait to lure hiding survivors out into the cold and snowed out streets of the isolated mining town. The second half of the film becomes a tale of survival, as town Sheriff Eben Olemun (Hartnett) and his soon to be ex-wife Stella (George), lead a group of survivors who manage to hide themselves away by staying in an attic, scared and cold they realize that it is only a matter of time before they are discovered and killed. Even though this is a film that does involve a fair amount of blood and gore, the film's real heart lies in the way it scares you with what it doesn't show in the lead up to the early killings, this for me is true horror, show me next to nothing, and build the most amount of tension, then deliver the shock, and you'll have me pissing my pants every time. There is also a fair amount of brutality shown, not only in how the vampires kill their prey, but also how they are dispensed by Eben and the others. On an interesting note, this is a film based on a graphic novel written by Steve Niles, who co-wrote the screenplay to the film. Niles had actually pitched the original idea as a film some years before, but reworked it to graphic novel after being knocked back by several producers, it was then picked up afterwards by one of those producers to make this film we have now.

tmdb15435519
tmdb15435519
★ 6

Eh, it's OK.

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