雪のように純粋な心を持つ白雪姫は、人々が幸せに暮らす王国を願うが、外見の美しさと権力に執着する邪悪な女王の嫉妬を買い、命を狙われて不思議な森に逃げ込んだ。
製作費: $270,000,000 (405億円)
興行収入: $205,679,463 (309億円)
推定収支: $-64,320,537 (-96億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
FindKeyのエディトリアルチームがこの作品の深層や歴史を解説しています。
監督: マーク・ウェブ
脚本: エリン・クレシダ・ウィルソン / ヤーコプ・グリム / ヴィルヘルム・グリム
音楽: Jeff Morrow / Frank Churchill
制作: Callum McDougall / マーク・プラット / Jared LeBoff
撮影監督: マンディ・ウォーカー
You can find true entertainment from the original Snow White and the Seven Dwarfs from 1937 made by Walt Disney himself! This 2025 remake version does not follow up to the original classic and has a contrast plot that does not even match any wits of the said original. Racheal Zegler has made things worse with her offensive comments regarding the original masterpiece and has sparked controversy among fans. On the day of its theatrical release I will be watching the original 1937 which I have the most respect for. This 2025 version I do not and will not have that respect for! So long Disney Today! As said by the right wing side of the USA, “Go woke, Go Broke”.
FULL SPOILER-FREE REVIEW @ https://fandomwire.com/snow-white-review/ "Snow White may not be the remake that changes many people's negative perception of Disney's live-action trend, but the truth is that Marc Webb and Erin Cressida Wilson manage to offer a more fascinating version of the classic tale. At the center of it all, Rachel Zegler shines with a magnetic performance, elevating the main character to new heights of complexity and charm. Her enchanting expressiveness and outstanding vocal talent make this Snow White one of the most notable protagonists of the modern live-action era. With a stronger, thematically richer script, a convincing romance, exciting new songs, and an updated vision that respects the essence of the classic, this remake proves that there's room to revisit old stories and make them even more tantalizing." Rating: A-
Don't bother with this sad woke version of an amazing classic! Rachel Ziegler has single handedly tanked this film with her classless and styleless performance. I would normally say to save your money, but her personal comments about the original film, its characters, and the plot have just ruined this film for me! I know I'm not alone. Boycott this one, if nothing more than to show Disney that this type of behavior from the lead in a major production will not be tolerated! Sorry Disney! Until you reign in you actress, you won't get another penny of my money! Go woke, go broke!
Ouch! Now this was always going to be a difficult story to imaginatively reimagine, and I do wonder just who Disney thought this was for as it quite radically alters the timeless fairy tale and augments it with some remarkably unremarkable power ballads and set piece choreography that wouldn’t have looked out of place at a barn dance. This iteration of the story pretty much abandons the fantasy elements of the original one and tells us of a wicked queen who has tricked her way onto the throne and turned the princess “Snow White” (Rachel Zegler) into something more akin to a royal “Cinderella”. Luckily for her, she encounters the enthusiastic bandit “Jonathan” (Andrew Burnap) who has broken into the palace to pinch some spuds, and next thing they are both trying to stay one step ahead of the Queen (Gal Gadot) who is narked by her mirror telling her she’s just plain ugly so she wants them deceased! It does swing by the brothers Grimm every now and again, and there are seven singing dwarves to “work the whole day long”, but even they can’t breathe much life into this surprisingly mundane exercise in superb technical creativity but otherwise lacklustre amateur stage theatricals. The unmistakably familiar score from Messrs. Pasek and Paul keeps threatening to break into “You Will Be Found” from “Dear Evan Hansen” and aside from, perhaps, “Waiting on a Wish” the soundtrack - like the whole thing - is disappointingly forgettable as it avoids every potential hint of menace progressing through a fondue of gloop towards it’s conclusion. Thank heavens for “Grumpy” (Martin Kleppa) who is probably the only one on-screen in synch with those of us watching. If you do want to see it then cinema is definitely best. This will look and sound bland and forgettable on the telly, but will fit excellently with the other banal recent additions to Disney+.
Rachel Zegler shines as Snow White. She delivered a great performance both emotionally and vocally. She is not the problem like a lot of people are making her out to be. Gal Gadot is the real issue with this film. Her acting and singing is atrocious. It’s beyond me how she made it this far in Hollywood, let alone bagged this role. I think she does some type of witchcraft on the casting directors because I refuse to believe they think she’s a talented actress. Her inclusion is even worse than the CGI dwarves which I thought looked bad from the trailers but I actually grew to like them as I watched the movie, especially Dopey. He was my favourite character in the film. Overall, it was a decent film. It was only when Gal Gadot was on screen, I just sat there and cringed. There’s so many actresses that could’ve done it better.
