FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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家族の庭
家族の庭

家族の庭

20102h 9m★ 7.0ドラマコメディ

あらすじ

人もうらやむおしどり夫婦のトムとジェリー、そして親思いの息子・ジョー。強い信頼関係で結ばれた理想の家庭に問題だらけの女性や旧友らが訪ねてきて……。名匠マイク・リー監督がロンドンの四季を通じて人の絆を描き出す。

作品考察・見どころ

AIが作品の魅力を深く読み解いています

興行成績

製作費: $8,000,000 (12億円)

興行収入: $18,124,262 (27億円)

推定収支: $10,124,262 (15億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

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予告・トレイラー

キャスト

ジム・ブロードベント
ジム・ブロードベント
Tom
レスリー・マンヴィル
レスリー・マンヴィル
Mary
ルース・シーン
ルース・シーン
Gerri
Peter Wight
Peter Wight
Ken
Oliver Maltman
Oliver Maltman
Joe
デイビッド・ブラッドリー
デイビッド・ブラッドリー
Ronnie
Karina Fernandez
Karina Fernandez
Katie
Martin Savage
Martin Savage
Carl
Michele Austin
Michele Austin
Tanya
Phil Davis
Phil Davis
Jack

スタッフ・制作会社

監督: Mike Leigh

脚本: Mike Leigh

音楽: Gary Yershon

制作: Georgina Lowe / ゲイル・イーガン / テッサ・ロス

撮影監督: Dick Pope

制作会社: Focus Features / UK Film Council / Film4 Productions / Thin Man Films

TMDB ユーザーのレビュー

Filipe Manuel Neto
Filipe Manuel Neto
★ 7

**It's not an easy film, it won't please everyone, but it presents a good story and excellent actors in another very well executed dramatic exercise.** This movie is about an elderly couple, who live a peaceful and happy life. They don't have anything that makes them special, they could be our parents or grandparents. They simply have a stable and quiet life, without any fuss and solidly founded on a past of companionship built on a happy marriage. Perhaps for this reason, they end up being a kind of “shelter” for friends and family in a more distressing situation. After seeing the film, I got the feeling that addiction is a theme very present in the narrative: if we look closely, the characters who approach this peaceful couple are, quite evidently, consumed by their own addictions, building over them several fears and paranoia. Alcohol abuse, sedentary lifestyle, vanity, are bad habits that they carry and that dominate them, despite the efforts of the friendly couple to support them, and the way the anguished characters manage to capture our sympathy. The script works well with all of this, and although the film takes a while to get there, it really grabs our attention and manages to hold us intelligently, with high doses of realism giving it all a bonus of welcome credibility. Jim Broadbent and Ruth Sheen deserve praise for the way they gave themselves to their characters and gave them body, shape, voice and personality. The two actors are veterans and have already given solid proof of their quality, but the way they presented themselves here is impeccable and really pleasant. I also liked the performance of Oliver Maltman and Lesley Manville, who give life to two other characters of great importance in the story. As with a series of other dramas that focus on the relationship between characters, the film is strongly committed to the creation of a solid script, good dialogues and a strong, quality cast. Technical issues were left in the background, but they are guided by discretion and functionality that borders on pragmatism. The movie is a little slow, but I have an idea that this was intentional.

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