FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

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San Francisco
San Francisco

San Francisco

19361h 55m★ 6.5ドラマロマンス音楽

あらすじ

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原作・関連書籍

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興行成績

製作費: $1,300,000 (2億円)

興行収入: $5,273,000 (8億円)

推定収支: $3,973,000 (6億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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Amazon Prime Video
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予告・トレイラー

配信サービス

サブスクリプション

Amazon Prime Video
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レンタル・購入

Amazon Video
FOD

キャスト

Clark Gable
Clark Gable
Blackie Norton
Jeanette MacDonald
Jeanette MacDonald
Mary Blake
Spencer Tracy
Spencer Tracy
Father Tim Mullin
Jack Holt
Jack Holt
Jack Burley
Jessie Ralph
Jessie Ralph
Mrs. Maisie Burley
Ted Healy
Ted Healy
Mat
Shirley Ross
Shirley Ross
Trixie
Margaret Irving
Margaret Irving
Della Bailey
Harold Huber
Harold Huber
'Babe'
Edgar Kennedy
Edgar Kennedy
Sheriff

スタッフ・制作会社

監督: W.S. Van Dyke

脚本: アニタ・ルース / Robert E. Hopkins / Herman J. Mankiewicz

音楽: Herbert Stothart / Edward Ward

制作: John Emerson / W.S. Van Dyke / Bernard H. Hyman

撮影監督: Oliver T. Marsh

制作会社: Metro-Goldwyn-Mayer

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

I sometimes found Jeanette MacDonald to be a sort of singing hybrid of Bette Davis and Binnie Barnes! She reminds me very much of that here in this engaging, if slightly long, romantic tale set just before the infamous San Francisco earthquake. "Mary Blake" arrives in the city looking for a job and she alights on the owner of the "Paradise Café". He's the suave and savvy "Blackie Norton" (Clark Gable) and he takes quite a shine to her. So too does his rather wealthier and more high-brow competitor "Burley" (Jack Holt) who might be a better fit for this girl's operatic ambitions. What now ensues sees the chemistry between MacDonald and Gable ebb and flow against a background of crookedness, envy and some good old-fashioned thuggery. Trying to help everyone stay on the right track is his childhood friend "Tim" (Spencer Tracy) who now just happens to be the local priest, a dab hand with a boxing glove, and a man who refuses to see evil in just about anyone. "Mary" has some tough choices to make, and those around her seem perfectly happy to make it for her if she doesn't - so which way is she going to turn? There's no doubt that MacDonald could sing, and her performances here are powerful and at times quite mischievous as her semi-operatic numbers illustrate quite well her character's struggle to fit into a society that wanted music hall numbers and not a good dose of "Faust"! Gable brings his usual lighthearted charm to the proceedings and there are a couple of amiable scenes from the rags-to-riches "Maisie" (Jessie Ralph) to remind us that just about everyone in that city started from nothing - even those on it's exclusive Nob Hill. The photography and visual effects at the end are really quite impressive and the audio of both the musical and thunderous elements of destruction work really quite well on a big screen too. It's not a plot that really stands out, but everyone here works well together to provide an enjoyable reminder of not just these stars, but also of the variety of Vaudeville entertainers that our forebears watched on stage.

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