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Doctor Who and the Silurians
Doctor Who and the Silurians

Doctor Who and the Silurians

19702h 55m★ 7.3サイエンスフィクションドラマアドベンチャー

あらすじ

No synopsis available.

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Timothy Combe

脚本: Malcolm Hulke / Terrance Dicks

音楽: Carey Blyton

制作: Barry Letts

制作会社: BBC

口コミ

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キャスト

Jon Pertwee
Jon Pertwee
The Doctor
Caroline John
Caroline John
Liz Shaw
Nicholas Courtney
Nicholas Courtney
Brigadier Lethbridge-Stewart
Fulton Mackay
Fulton Mackay
Dr. Quinn
Norman Jones
Norman Jones
Major Baker
Peter Miles
Peter Miles
Dr. Lawrence
No Image
Thomasine Heiner
Miss Dawson
No Image
John Newman
Spencer
Geoffrey Palmer
Geoffrey Palmer
Masters
No Image
Ian Cunningham
Dr. Meredith

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

I struggle a bit with the eight parters. The story is often far too thinly spread out and the plot advances at a glacial pace until it's all wrapped up in episodes seven and eight. This one is slightly different, though, as it neatly separates into two semi-stories. The first sees the "Doctor" (Jon Pertwee) and "Liz" (Caroline John) drafted in by the "Brigadier" (Nicholas Courtney) to investigate some power outages at a top secret energy installation being run by "Quinn" (Fulton Mackay). Their arrival sets the cat amongst the pigeons, especially with the secretive Scotsman and his assistant "Miss Dawson" (Thomasine Heiner) who seem to know a great deal more about the nearby caves than either are prepared to let on. As the staff start to suffer too, it falls to team Time Lord to investigate and that's when he discovers that there is an ancient Earthly species awakening to find mankind's latter day occupation of the planet a nuisance to their plans. What now? Diplomacy or brute force? The eponymous sleepy-heads are visually akin to the "Sea Monsters" and the story from Malcolm Hulke does adequately, if rather verbally, as it builds up - but there's no work for the TARDIS here and by half way through I felt this wasn't really a "Dr. Who" at all, but a half-decent sci-fi adventure that relied on the usual television studio for most of it's action settings. Is there also supposed to be a moral here? Shoot first, collaborate later? It's all perfectly watchable, and little "Nellie" gets a welcome engine clean, but it takes too long to get going and when it does it becomes a shade predictable. Not one of the better series, methinks.

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