オーメン：ザ・ファースト

FULL SPOILER-FREE REVIEW @ https://fandomwire.com/the-first-omen-review-a-must-watch/ "The First Omen holds many narrative issues and a too-safe ending, but it deserves to be seen on the big screen due to its grotesque practical effects, hauntingly well-built atmosphere, and one of the most impressive, transformative performances of the year by Nell Tiger Free. Debutant filmmaker Arkasha Stevenson clearly leaves her mark on a technically sublime film that easily becomes the best installment of the franchise after the original movie. Lead yourself into temptation and embrace the incarnated evil. You won't regret it." Rating: B-

Novice "Margaret" (Nell Tiger Free) arrives in Rome to a welcome from her cardinal sponsor "Lawrence" (Bill Nighy) where she hopes to complete taking her vows. She is greeted with open arms and taken on a tour of what she hopes will become her new home. This is when she encounters the shy "Carlita" (Nicole Sorace) who spends much of her time in solitude drawing. This intrigues "Margaret" but not as much as some of the other goings on in the maternity ward of the hospital. Her concerns are only exacerbated by a meeting with "Fr. Brennan" (Ralph Ineson) who spins her an horrific yarn that makes her head spin and sets her on a detection task that reveals a conspiracy to end all conspiracies - one that is conceived by the church for it's own perpetuation, but that could bring down both it and mankind. At times it's quite a decently paced watch, this, with a little gruesomeness (isn't it odd that the tools of medicine so often look like those of torture?) but given we have known the denouement since 1976 the lack of any real jeopardy does rather rob the film of much of a sense of menace and what "jump moments" there are are all a bit predictable. Free does try to imbue her character with a bit of passion, and she manages along well enough but Nighy is weak and the single appearance from Charles Dance adds nothing at all to these lacklustre proceedings. Prequels are always hard to deliver. This tries, but sadly we've seen it all before and I fear the nun theme is beginning to self-flagellate itself to death. A short story over-stretched.

The First Omen, like so many latter day spin offs, of well respected franchises, fails to understand what made the original films so successful. I well remember the original Omen film and how it held me. Its intricate story, which chillingly displaced a sense of normalcy with a ever growing horror and otherworldly menace, was truly compelling. By contrast. The First Omen lacks true progression and originality. For well over half the film, it is, in fact, rather dull. It does make vain attempts to utilises tropes and events of the earlier films but fails to develop a measurably meaningful, original narrative, to accompany them. Moreover, as other reviewers have stated, quite correctly, in my view, its safe ending does little to mitigate the overriding sense of cinematic malaise. In summary, if you have never experienced the Omen franchise, don't start with this film. The original films are horror masterpieces, well worth your time. By contrast, this film will, I suspect, be remembered as a minor footnote with Omen fans, like myself and that's if its lucky.

The First Omen" is a chilling and atmospheric horror film that effectively pays homage to the original which came out in 1976 while presenting a fresh and unsettling perspective, with standout performances and direction that will leave viewers on edge. The film's atmospheric tension, creepy moments, and effective storytelling makes is a worthwhile horror flick. Director Arkasha Stevenson's debut film impresses with its confident direction and storytelling, featuring a standout performance by Nell Tiger Free. She literally has given a performance to remember.The film's slow pace can irritate a few viewers, as well as the unexpected ending tying it to the original of 1976 can be questionable, but overall, the film shines in its ability to evoke a haunting atmosphere and deliver scares without relying on cheap jump scares or gimmicks. A worthy prequel.

This was shot and directed well and the way that Margaret's story was constructed early on was interesting. The movie is less appealing in its final act as it ushers in the arrival of the antichrist and tries to tie itself into the original **Omen** film. That film was made almost 50 years ago, and most modern moviegoers aren't going to appreciate the effort. There aren't many jump scares in this, a couple of them occur early, but this doesn't really have any sustained scares, either. There are strange moments but nothing that will keep anyone from good night's sleep.