Before and After
あらすじ
No synopsis available.
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
製作費: $35,000,000 (53億円)
興行収入: $8,797,839 (13億円)
推定収支: $-26,202,161 (-39億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $35,000,000 (53億円)
興行収入: $8,797,839 (13億円)
推定収支: $-26,202,161 (-39億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: バーベット・シュローダー
脚本: Rosellen Brown / Ted Tally
音楽: Howard Shore
制作: Roger Birnbaum / Susan Hoffman / ジョー・ロス
撮影監督: Luciano Tovoli
制作会社: Hollywood Pictures / Caravan Pictures
Edward Furlong "Jacob" puts in a reasonable effort here, but otherwise this is a really unremarkable drama that muddles along despite rather than because of the two stars at the top of the bill. When a young girl is murdered, he is the suspect and so dad "Liam Neeson" immediately takes steps to help his son by destroying what looks like damning evidence. The ensuing court case pushes the usual array of buttons as the intra-familial relationships between him, his father, mother (Meryl Streep) and sister "Judith" (Julia Weldon) are strained. Alfred Molina is actually quite plausible as the win-at-all-costs lawyer "Demeris" and we plod along, glacially, to a ending about which I couldn't actually care. It's not a terrible film, all of the cast deliver what is asked of them, but the narrative meanders all over the shop all too often; the dialogue and faux-emotional scenes are flat and the ending just re-iterated a question that so many of these pointless dramas are predicated on... Why not just go to the police in the first place and rely on them to do their jobs properly?
