ブランドン・クローネンバーグ監督によるSFサスペンス・ノワール。第三者の脳に入り込んで人格をコントロールする遠隔殺人システムを使う殺人者と、人格を乗っ取られた男の生死を懸けた攻防を、冷徹かつ過激な映像をもって描き出していく。
AIが作品の魅力を深く読み解いています
製作費: $2,500,000 (4億円)
興行収入: $911,000 (1億円)
推定収支: $-1,589,000 (-2億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: ブランドン・クローネンバーグ
脚本: ブランドン・クローネンバーグ
音楽: Jim Williams
制作: Dave Bishop / Niv Fichman / Andrew Starke
撮影監督: Karim Hussain
制作会社: Ingenious Media / Rhombus Media / Rook Films / Téléfilm Canada / Arclight Films / Ontario Creates / Particular Crowd / Crave
The Cronenberg name is tightly associated with the body horror genre, and rightfully so. 'Possessor' feels like a fever dream, delivering unsettling violence, thought-provoking creativity and remorseless direction. Its revelations about the monsters within, summed up in its shockingly grim climax, have a lasting resonance. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-possessor-engrossingly-gross-cronenbergian-body-horror
I just wrote a review about how mainstream critics don't "get" horror, elevating attempts at filmmaking "art" over the basics that horror fans love. "Possessor" is an exception where critics (72 Metacritic Score) and users (7.6 Metacritic Score) agree that it's a pretty damn good flick. The acting is excellent. Andrea Riseborough from "Mandy" is creepy odd (again) as a mind-possessing assassin, and Christopher Abbott from "It Comes at Night" is a depressed AND possessed soul for the next assassination. There are too many adjectives to list to give the film justice, so here's just a few: disturbing, violent, bloody, mind-bending, visual, provocative, While Brandon Cronenberg may have a similar interest in melding technology and horror as his father David Cronenberg, he is introducing his own style and originality. Very much like like Joe Hill has done with father Stephen King. All of which is nothing but a bonus for horror fans.
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com In a year where the horror genre didn't have that many great representatives, Brandon Cronenberg's remarkably captivating concept is an instant attention-grabber. Boasting two phenomenal performances from Andrea Riseborough and Christopher Abbott (Colin Tate), Possessor is one of the most visually shocking films of 2020. From the extreme gore to the unrestrained depiction of insanely violent murders, Cronenberg fills his movie with creepy imagery that will definitely trigger many viewers to simply give up. Its slow pace helps establish the never-ending suspenseful atmosphere, which ultimately delivers some of the most intense sequences I've seen in a long time. Despite the interesting narrative and its eye-opening developments, Possessor fails to keep the momentum going throughout the entire runtime. The weird imagery helps with visual storytelling, but it reaches a point where it becomes too distracting and unnecessary. The third act is also quite predictable, contrasting with the somewhat surprising first half. In the end, it's still one of my favorite horror films of the year. Rating: B+
