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This Is the Army
This Is the Army

This Is the Army

19432h 1m★ 5.6コメディ音楽ロマンス戦争

あらすじ

No synopsis available.

作品考察・見どころ

本作の真髄は、戦時下という極限状況において「娯楽」が持つ不屈の精神を体現した点にあります。アーヴィング・バーリンによる高揚感溢れる楽曲は、単なる音楽の枠を超え、観る者の魂を鼓舞する力強いメッセージを放ちます。ジョージ・マーフィらの瑞々しい躍動感は、暗い時代を照らす鮮やかな光そのものです。 原作の舞台が放つ熱狂を、映画ならではの壮大なスケールで増幅させた演出も見事です。実際の兵士が多数出演するリアリティと、華やかな色彩が見事に融合し、舞台の制約を超えた圧倒的な臨場感を生み出しています。愛とユーモアを忘れぬ人間の尊厳を映像美として刻み込んだ、情熱的な士気高揚の傑作といえるでしょう。

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Amazon Video

キャスト

George Murphy
George Murphy
Jerry Jones
Joan Leslie
Joan Leslie
Eileen Dibble
George Tobias
George Tobias
Maxie Twardofsky
Alan Hale
Alan Hale
Sergeant McGee
Charles Butterworth
Charles Butterworth
Eddie Dibble
Dolores Costello
Dolores Costello
Mrs. Davidson
Una Merkel
Una Merkel
Rose Dibble
Stanley Ridges
Stanley Ridges
John Davidson
Rosemary DeCamp
Rosemary DeCamp
Ethel Jones
Ruth Donnelly
Ruth Donnelly
Mrs. O'Brien

スタッフ・制作会社

監督: Michael Curtiz

脚本: Claude Binyon / Casey Robinson

制作: Hal B. Wallis / Jack L. Warner

撮影監督: Sol Polito / Bert Glennon

制作会社: Warner Bros. Pictures

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

With poor old “Johnny” (Ronald Reagan) reluctant to get married to his a childhood sweetheart “Eileen” (Joan Leslie) with his draft looming, he finds himself with another sort of draft altogether. That one sees him, and a cast of hundreds, involved in putting on the ultimate in wartime entertainment that has just about everything except Bob Hope! Directed by Michael Curtiz, the next couple of hours is spent combining their rather predicable romantic shenanigans with an whole array of rousing musical numbers ranging from toe-tapping drag to large-scale choreographed marching routines - all for the benefit of the President watching from his box. It is quite difficult to comment on this as a film as it isn’t really a movie, more a recording made of some theatrical performances and like any vaudeville or “Good Old Days” style of entertainment there are bits that you laugh at and bits that you cringe at. Just about every form of act is represented here; there are some famous roles doing their best either in character or as themselves, and all of them look like they are putting their heart and soul, willingly, into something that is clearly intended to gee up both the soldiers and the audience alike. There’s not too much that’s stands out - though I did quite enjoy the hamburger routine with a faux Herbert Marshall, and by the end it is easy to see why the camera liked Reagan, even if he isn’t so much an actor as an animated cardboard cut-out. It’s a colourful, vibrant and well orchestrated production that’s packed full of American patriotism and some Irving Berlin at his most flag-waving so whilst it doesn’t really travel so well, I expect it did what it needed to as 1944 loomed large in a nation gearing up for a long war ahead. I am glad the lyricist remembered to not just nobble the bugler, but the man who woke him up, too!

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