FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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Kismet
Kismet

Kismet

19441h 43m★ 5.3アドベンチャーファンタジーロマンス

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

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興行成績

製作費: $3,015,000 (5億円)

興行収入: $1,827,000 (3億円)

推定収支: $-1,188,000 (-2億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

スタッフ・制作会社

監督: William Dieterle

脚本: Edward Knoblock / John Meehan

音楽: Herbert Stothart

制作: Everett Riskin

撮影監督: Charles Rosher

制作会社: Metro-Goldwyn-Mayer

口コミ

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キャスト

Ronald Colman
Ronald Colman
Hafiz
Marlene Dietrich
Marlene Dietrich
Jamilla
James Craig
James Craig
Caliph
Edward Arnold
Edward Arnold
The Grand Vizier
Hugh Herbert
Hugh Herbert
Feisal
Joy Page
Joy Page
Marsinah
Florence Bates
Florence Bates
Karsha
Harry Davenport
Harry Davenport
Agha
Hobart Cavanaugh
Hobart Cavanaugh
Moolah
Robert Warwick
Robert Warwick
Alfife

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

I’m usually a sucker for these sumptuous Arabian Nights style adventures, but I really struggled to stay engaged with this, despite it’s cast. Ronald Colman is “Hafiz”, a wily street beggar with a vivid imagination who fancies himself a prince. His occasional lover is “Jamilla” (Marlene Dietrich) who just happens to be the shrewd and independently-minded wife of the Grand Vizier. Now she knows that he is full of it, but even though she inhabits a tower in the palace with all she could want, she is bored and so enjoys his embellished tales. When he is not out telling his tales, he is at home with his young daughter “Marsinah” (Joy Page) filling her head full of princely marriage nonsense, unaware that she has actually fallen in love - only not with a prince, but with a pruner in the Caliph’s garden. Still with me? Well there’s more to come as the Grand Vizier (Edward Arnold) has designs on the throne and the Caliph (James Craig) knows about the plot and is working on a counter-plot of his own. He doesn’t know, though, that his life was previously saved by none other than, yep, our imaginative minstrel. With all the threads starting to knit nicely together, it might just fall to “Hafiz” to save the day? For me, the problem is a lack of Colman and then a lack of the flair of Colman when we do see him; coupled with a really sterile effort from Dietrich. At one stage she does her own equivalent of the dance of the seven veils, but appears to need the furniture as a support rather than offering us something with flair and sensuality. The plot is complicated but that could have made this all the better had William Dieterle managed to get his cast working together and well, instead of in this lacklustre and glacially slow fashion. Sadly, there’s not an ounce of on-screen chemistry for us here and I was quite disappointed by it all.

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