FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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The Card
The Card

The Card

19521h 25m★ 7.0コメディ

あらすじ

No synopsis available.

予告・トレイラー

原作・関連書籍

映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。

スタッフ・制作会社

監督: Ronald Neame

脚本: Arnold Bennett / Eric Ambler

音楽: William Alwyn

撮影監督: Oswald Morris

制作会社: A Ronald Neame Production

口コミ

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キャスト

アレック・ギネス
アレック・ギネス
Edward Henry 'Denry' Machin
グリニス・ジョンズ
グリニス・ジョンズ
Ruth Earp
Valerie Hobson
Valerie Hobson
Countess of Chell
Petula Clark
Petula Clark
Nellie Cotterill
Edward Chapman
Edward Chapman
Mr. Duncalf
No Image
Veronica Turleigh
Mrs. Machin
George Devine
George Devine
Mr. Calvert
Joan Hickson
Joan Hickson
Mrs. Codleyn
Frank Pettingell
Frank Pettingell
Police Superintendent
Gibb McLaughlin
Gibb McLaughlin
Emery

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

Ronald Name has done quite a good job turning Arnold Bennett's amiable rags-to-riches tale into a throughly watchable film. Alec Guinness ("Denry" - an amalgam of Edward and Henry) is the aspiring son of a lowly washerwoman (Veronica Turleigh). Determined to better his lot, he happens upon the wallet lost by local lawyer/bigwig "Duncalf" (Edward Chapman). Honesty always being the best (and expedient) policy, he returns it and is soon his clerk; a menially clerical position that first introduces him to the rather daunting "Countess of Chell" (Valerie Hobson), Now he begins to set his sights on greater civic (and personal) success. She and his employer are hosting a grand ball and for that - to which he has invited himself - he must learn a few social skills, like dancing. That's where Glynis Johns' "Miss Earp" comes in, and the scene is now set for a few fun escapades as up the greasy pole he goes, finding true love en route. It's tightly cast, with only a few speaking parts, and that keeps the plot focussed and the pace moving along well. The writing delivers a jolly film: a little comedy disaster, some silly frolics and wonderfully charming performances from Guinness and his frequently quite manipulative co-star Miss Johns. There's a little social commentary to beef it up; the deference shown to the benecfactrix Countess by those living on the breadline is presented well with Hobson ideally cast as the woman far more pragmatic about her role in society that many of the sycophants around her. There are also some quite poignant scenes depicting the overall perspective of many people to know - and stick to - their place! All work well together and it's certainly one of Guinness' better efforts.

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