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Man Without a Star
Man Without a Star

Man Without a Star

19551h 29m★ 6.4西洋

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: キング・ヴィダー

脚本: Borden Chase / D.D. Beauchamp / Dee Linford

制作: Aaron Rosenberg

撮影監督: Russell Metty

制作会社: Universal International Pictures

口コミ

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キャスト

カーク・ダグラス
カーク・ダグラス
Dempsey Rae
Jeanne Crain
Jeanne Crain
Reed Bowman
Claire Trevor
Claire Trevor
Idonee
William Campbell
William Campbell
Jeff Jimson
Richard Boone
Richard Boone
Steve Miles
Jay C. Flippen
Jay C. Flippen
Strap Davis
Myrna Hansen
Myrna Hansen
Tess Cassidy
Mara Corday
Mara Corday
Moccasin Mary
Eddy Waller
Eddy Waller
Tom Cassidy
Sheb Wooley
Sheb Wooley
Latigo

TMDB ユーザーのレビュー

John Chard
John Chard
★ 7

To fence or not to fence, that is the question. Man Without A Star is directed by King Vidor and adapted by Borden Chase & D. D. Beauchamp from the Dee Linford novel. It stars Kirk Douglas, Jeanne Crain, Claire Trevor, William Campbell & Richard Boone. Photographed by Russell Metty in Technicolor around the Thousand Oaks area in California, with the title song warbled by Frankie Laine. Dempsey Rae (Douglas) is easy going and a lover of life, so much so he has no qualms about befriending young hot head Jeff Jimson (Campbell). The pair, after a scare with the law, amble into town and find work at a ranch owned by the mysterious Reed Bowman. Who after finally showing up turns out to be a lady (Crain), with very ambitious plans. As sexual tensions start to run high, so do tempers, as the boys find themselves in the middle of a range war. It's all very conventional stuff in the grand scheme of range war Western things, but none the less it manages to stay well above average in spite of a tricky first quarter. For the fist part Vidor and Douglas seem to be playing the film for laughs, with the actor mugging for all he is worth. Add in the wet behind the ears performance of Campbell and one wonders if this is going to be a spoof. But once the lads land in town and the girls show up (Trevor classy, Crain smouldering), the film shifts in gear and starts to get edgy with Vidor proving to have paced it wisely. The thematics of era and lifestyle changes, here signified by barbed wire, are well written into the plot. While interesting camera angles and biting photography keep the mood sexually skew whiff. Boone lifts proceedings with another fine villain performance, and Jay C. Flippen in support is as solid as he almost always was. 7/10

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