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The Nile Hilton Incident
The Nile Hilton Incident

The Nile Hilton Incident

20171h 51m★ 6.6スリラードラマ犯罪
MUBI

あらすじ

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興行成績

製作費: $4,250,000 (6億円)

興行収入: $81,089 (0億円)

推定収支: $-4,168,911 (-6億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

ファレス・ファレス
ファレス・ファレス
Noredin
No Image
Mari Malek
Salwa
ياسر علي ماهر
ياسر علي ماهر
Kammal Mustafa
Slimane Dazi
Slimane Dazi
Green Eyed Man
Hania Amar
Hania Amar
Gina
Hichem Yacoubi
Hichem Yacoubi
Nagy
No Image
Mohamed Yousry
Momo
No Image
Mohamed Sanaaeldin Shafie
Noredin's Father
No Image
Ahmed Abdelhamid Hefny
Doorman Saleh
No Image
Nael Ali
Yosef

スタッフ・制作会社

監督: タリク・サレ

脚本: タリク・サレ

音楽: Krister Linder

制作: タリク・サレ / Kristina Åberg / Emil Wiklund

撮影監督: Pierre Aïm

制作会社: Atmo Production / Film i Väst / Ostlicht Filmproduktion / Final Cut for Real / Nordsvensk Filmunderhållning / SVT / Scanbox / Copenhagen Film Fund / Svenska Filminstitutet / Eurimages / Det Danske Filminstitut / Den Vestdanske Filmpulje / Chimney Sweden / Kasbah Films

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

When a young woman is murdered in the high-class Hilton hotel in Cairo, veteran police officer “Noredin” (Fares Fares) is drafted in for what everyone expects to be a routine investigation where nobody really cares. Quite swiftly, however, he begins to suspect that there might be something altogether more sinister going on. It’s not that he’s offended or surprised by the crime or the corruption, indeed he has no compunction in bribing or helping himself - but this crime looks like it might have some political dimension to it when he begins to suspect that sleazy parliamentarian “Shafiq” (Ahmed Selim) is in some way involved. Rumour has it that there is a witness to the crime, so he determines to find “Salwa” (Mari Malek) before the state security people get her some concrete shoes. All the while, there is growing unrest amongst the general population with the regime and it’s enforcers, and so “Noredin” has more than one flank to protect as he closes in on answers that his bosses might prefer he didn’t. Fares reminded me a little here of John Wayne in “McQ” (1974): a disillusioned policeman who knows the system is broken and who has his own unorthodox manner of working, and he delivers the role well. “Cleopatra” cigarettes does well here too, as our investigator is rarely without a cigarette in his mouth, but it seems to help him focus on just about every aspect of his life from sex to avoiding would-be assassins on the street. It’s a quickly paced, dark and grimy thriller that very much puts the noir into film noir and there was something about the conclusion that though fairly wrong, I did think summed up the thrust of just why a revolution was needed in the first place.

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