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The Shooting
The Shooting

The Shooting

19661h 22m★ 6.2西洋謎ドラマ

あらすじ

No synopsis available.

作品考察・見どころ

本作が放つ最大の魅力は、西部劇の枠組みを借りて描かれる、出口のない存立の不安と静かな狂気です。照りつける太陽と荒野が、開拓時代のロマンではなく、人間の深淵を映し出す鏡として機能しています。抑制された演出は観客を底知れぬ沈黙へと誘い、物語の背後に潜む形而上学的な問いを突きつけてきます。 ウォーレン・オーツの渇いた演技と、ミリー・パーキンスの不気味なほどの静謐さが、目的の見えない追跡劇に強烈な緊張感を与えています。結末に向かうにつれて加速する虚無感は、運命に翻弄される人間の無力さを残酷なまでに描き出します。観る者の理性を揺さぶり、銀幕の向こう側に広がる空白を体感させる、映像芸術の極北と呼ぶべき傑作です。

興行成績

製作費: $75,000 (0億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

ウォーレン・オーツ
ウォーレン・オーツ
Willett Gashade
Will Hutchins
Will Hutchins
Coley Boyard
Millie Perkins
Millie Perkins
Woman
ジャック・ニコルソン
ジャック・ニコルソン
Billy Spear
No Image
Charles Eastman
Bearded Man
No Image
Guy El Tsosie
Indian
No Image
Brandon Carroll
Sheriff
No Image
B. J. Merholz
Leland Drum
No Image
Wally Moon
Deputy
No Image
William Mackleprang
Crosstree Townsman #1

スタッフ・制作会社

監督: Monte Hellman

脚本: Carole Eastman

音楽: Richard Markowitz

制作: Monte Hellman / ジャック・ニコルソン / ロジャー・コーマン

撮影監督: Gregory Sandor

制作会社: Proteus Films / Santa Clara Productions

TMDB ユーザーのレビュー

Wuchak
Wuchak
★ 7

_**Weird desert-survival 60's Western with Jack Nicholson & Warren Oates**_ "The Shooting" is an offbeat 1966 Western directed by Monte Hellman and written by Carole Eastman (using the pseudonym "Adrien Joyce"). The story involves two men (Warren Oates and Will Hutchins) who are hired by a mysterious woman (Millie Perkins) to accompany her to a town located many miles across the Utah desert. During their journey they are tracked and joined by a mysterious black-clad gunslinger (Jack Nicholson) who is known by the woman. This early Nicholson vehicle is worthwhile if you have a taste for out-of-the-ordinary films. Millie Perkins is fetching and Will Hutchins is a convincing youngster sidekick while Oates is a good every-man protagonist and Nicholson just oozes quiet antagonism. It's easy too see how the 'kid' would be infatuated by the cutie, despite her dubiousness, but it's even easier to understand Willet's grave suspicions. The movie is also a must for anyone who likes lost-in-the-desert flicks. While the ending seems nonsensical, the answers are there, if you look closely and chew on the details... ***SPOILER ALERT*** (Don't read this paragraph unless you've seen the film). As the story progresses it becomes clear that the woman is hunting Oates' brother who apparently killed a child or a midget, likely the woman's child, close friend or relative. When they finally catch up to him at the very end we discover that the supposed murderer is Willet's TWIN brother who looks exactly like him, which explains his name, Coin (as in, 'the other side of the coin'). Since this is so, why didn't the woman assume Willett (Oates) was the person who killed her child since he looks exactly like the one who did, Coin? Obviously she was informed that Coin had a twin brother living near the town and she felt he would be the best person to track the culprit. In any case, the twin brothers represent the duality of human nature: Willet symbolizes the good and positive side whereas Coin embodies the more destructive aspects of our nature. As such, the Gashade brothers symbolize the two converging sides of the existential coin pertaining to the human experience which come together with catastrophic results at the climax. ***END SPOILER*** Bottom line: "The Shooting" is a worthy bare-bones independent 60's Western with occasional flashes of surrealism and brilliance, as well as a lot of humdrum mundaneness (so be prepared for some slow, dull stretches). It's less straightforward than its sister film "Ride in the Whirlwind," which was made just before this one and on the same (or nearby) locations. Some have called it the first "acid Western" but I wouldn't go that far. It has some weird touches, but not too weird. The film runs 82 minutes and was shot in Kanab, Utah. GRADE: B/B-

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