Take Me
あらすじ
No synopsis available.
予告・トレイラー
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
興行収入: $2,583 (0億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
興行収入: $2,583 (0億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: パット・ヒーリー
脚本: Mike Makowsky
音楽: Heather McIntosh
制作: Ian Bricke / マーク・デュプラス / ジェイ・デュプラス
撮影監督: Nathan M. Miller
Honestly keeps you wondering even while the credits roll. And while _Take Me_ might not be great, it's a rare movie that can do that. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Good watch, could watch again, and can recommend. While I'm not a big fan of either Pat Healy or Taylor Schilling, they both do a decent job in their roles here. This is a great example of an immersive adventure of absurdity. The premise of servicing kidnapping adventures is golden, if problematic which is basically cinematic. The main contention ends up being a sort of hat on a hat, I think played for comedic purposes. It most likely would have been better if it had been a almost more of a prank kidnapping from the kidnapper's perspective, rather than a matter of confusion of identity. There is a lot of psychological aspects are interesting about the type of people that would employ or provide these sort of services, and a good bit of humor, usually absurdist or misfortune based. While there are likely better movies to watch, if this looks interesting to you, then it will probably be.
