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Roxanne Roxanne
Roxanne Roxanne

Roxanne Roxanne

20171h 38m★ 6.0ドラマ

あらすじ

No synopsis available.

作品考察・見どころ

本作の核心は、主演シャンテ・アダムズが放つ、鋭利な刃物のような危うさと強靭な精神性にあります。80年代クイーンズの熱気と荒廃を克明に映し出す映像の中で、わずか14歳でヒップホップ界に挑む少女の「声」が、単なる成功譚を超えた、過酷な日常を生き抜くための唯一の武器として凄まじい熱量で響き渡ります。 マハーシャラ・アリが演じる静かな狂気と、名声の裏側に潜む搾取や暴力。それらに翻弄されながらも、自らのアイデンティティを奪還しようとする魂の軌跡は、観る者の胸を激しく揺さぶります。不条理な世界で己の価値を証明し続ける女性の姿を描いた本作は、比類なき覚悟が宿った至高の人間讃歌といえるでしょう。

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配信サービス

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キャスト

シャンテ・アダムズ
シャンテ・アダムズ
Roxanne Shanté
マハーシャラ・アリ
マハーシャラ・アリ
Cross
ニア・ロング
ニア・ロング
Ms. Peggy
Elvis Nolasco
Elvis Nolasco
Ray
Shenell Edmonds
Shenell Edmonds
Ranita
アド・ロック
アド・ロック
Attorney Schwartz
Germar Terrell Gardner
Germar Terrell Gardner
Antwan
No Image
Terrence Shingler
Big John
No Image
Nigel A. Fullerton
Biz
No Image
Kristin Dodson
Classmate #1

スタッフ・制作会社

監督: Michael Larnell

脚本: Michael Larnell

音楽: RZA

制作: Roxanne Shanté / Pharrell Williams / Nina Yang Bongiovi

撮影監督: Federico Cesca

制作会社: Forest Whitaker's Significant Productions / i am OTHER / Playdate Productions

TMDB ユーザーのレビュー

A-Dubya
A-Dubya
★ 4

I was hoping for more. I thought it would delve further into her battles in the hip-hop world, and include more than just brief cameos of rap legends and icons (Biz Markie, MC Shan, Marley Marl, and a young NaS), but instead it turned into just a pseudo-bio/male-bashing escapade. I enjoyed some parts about it, primarily the focus on her rap career, Roxanne's Revenge, and how she came up in the game, but a lot of the time, it felt like this film was something it wasn't advertised as. Being a huge hip hop fan, mainly of the 80's and 90's, I was excited when i saw a biopic on Roxanne Shante. I'm a huge fan of NY hip hop from this era. I was disappointed when most of the film focused on her family struggles, and poor relationships (I would even say decisions too) with men. I knew there would be a backstory about her upbringing, but instead of really talking about the hip hop pioneer that she was, and maybe battles with KRS and others, it was like a 45 minute man-bashing flick veiled as a doc about a hip hop legend. Almost every male character is basically portrayed as abusive, manipulative, violent, or a sexual predator. The few males that somewhat have redeemable qualities are pushed aside, not to be focused on. This trope is one that seems to be the norm far too often in films of the last few years. It is very annoying to me, and reeks of disillusion. Every male is not a creep, just as every female is not a saint in the real world. Even the last excerpt at the end of the film before the credits was so out of place, and didn't seem to fit anything other than an agenda to bash males for "not handling their responsibilities, and bringing women flowers". What this has to do with hip hop culture, or anything relevant, for that matter, is beyond me. It could have been so much better, if it legitimately was about the career of Roxanne Shante, and her rise as a hip hop icon in the 80's. 2 door knocker ear rings out of 5.

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