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The Man Who Loved Cat Dancing
The Man Who Loved Cat Dancing

The Man Who Loved Cat Dancing

19732h 3m★ 5.7西洋ロマンス

あらすじ

No synopsis available.

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バート・レイノルズ
バート・レイノルズ
Jay Grobart
Sarah Miles
Sarah Miles
Catherine Crocker
リー・J・コッブ
リー・J・コッブ
Lapchance
ジャック・ウォーデン
ジャック・ウォーデン
Dawes
George Hamilton
George Hamilton
Crocker
Bo Hopkins
Bo Hopkins
Billy
Robert Donner
Robert Donner
Dub
Sandy McPeak
Sandy McPeak
Ben
Larry Littlebird
Larry Littlebird
Iron Knife
Nancy Malone
Nancy Malone
Sudie

スタッフ・制作会社

監督: Richard C. Sarafian

脚本: Eleanor Perry / Marilyn Durham

音楽: ジョン・ウィリアムズ

制作: マーティン・ポール / Eleanor Perry

撮影監督: Harry Stradling Jr.

制作会社: Metro-Goldwyn-Mayer

TMDB ユーザーのレビュー

John Chard
John Chard
★ 5

Cat Prancing. Richard C. Sarafian directs and Eleanor Perry adapts the screenplay from Marilyn Durham's novel. It stars Burt Reynolds, Sarah Miles, Lee J. Cobb, Jack Warden, George Hamilton, Bo Hopkins, Robert Donner and Jay Silverheels. Music is by John Williams and cinematography (Panavision/Metrocolor) by Harry Stradling JR. Train robbing outlaw starts to fall for a woman who inadvertently becomes a kidnapee. The rumours and gossip behind the making of the film are far more interesting than the film itself. Miles was married to Robert Bolt (they would be married twice), and it is believed that Bolt had to do uncredited work on the script to make it better! This as Miles and Reynolds were having some fun after hours, while Miles' manager (David Whiting) died under suspicious circumstances during the production. The production is, on a technical level, superb, the locations are outstandingly realised by Stradling's photography, while Williams shows his multi stranded genius by providing a number of different musical compositions throughout the pic. Sadly the film drags and come the midway point it just becomes dull. It starts off promisingly, with a daring train robbery introducing us to a band of outlaws, led by Reynolds of course, who are interesting enough to keep us, well, interested. Yet this proves to be a false dawn as what looked like being a potent manhunt of the gang, with revenge flavoured seasoning and sexual tensions, quickly turns into a wet romance stretched out to nearly two hours run time. As Miles and Reynolds take center stage for the second half of film, you realise that Cobb and Warden have been criminally underused. Lead performances are OK, it's just that the narrative is uninteresting and poorly directed - though a pat on the back is warranted for the respectful writing of the American Indians. It looks and musically sounds great, but really it's hard to recommend with confidence. 5/10

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