FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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ハロウィン
ハロウィン

ハロウィン

20181h 46m★ 6.6ホラースリラー
U-NEXT

あらすじ

1978年、ハロウィン前夜に殺人鬼マイケル・マイヤーズが精神病棟を脱走。10月31日、ハロウィンの夜に街で多くの人が襲われ、犠牲になるという戦慄の事件が起きた。この殺人鬼は動機や感情が不明のため、“ブギーマン”と名付けられて人々から恐れられる。事件で生き延びた唯一の生存者ローリー・ストロードは、精神病棟に収監されたマイケルが再び現れることを想定して訓練を続けていた。そして、40年経ったハロウィンの日に、その悪夢は現実のものとなる。

作品考察・見どころ

本作の魅力は、極限状態における人間の強さと、形なき恐怖への対峙を冷徹に描き出した点にあります。ジェイミー・リー・カーティス演じる主人公が、過去の傷を抱えながらも戦士として覚悟を決める姿は圧巻です。不穏な旋律が響く中、静寂と暴力が鋭く交錯する演出は、観る者の本能的な恐怖を容赦なく呼び覚まします。 恐怖に支配されず、連帯して悪に立ち向かう三世代の女性たちの姿は、自己救済と解放の物語として深い感動を呼び起こします。一切の虚飾を排したマイケルの純粋な悪意が、かえって人間の尊厳を鮮烈に浮かび上がらせる。緻密な演出と圧倒的な緊迫感は、ホラー映画の枠を超えた真の傑作であることを証明しています。

興行成績

製作費: $10,000,000 (15億円)

興行収入: $259,939,869 (390億円)

推定収支: $249,939,869 (375億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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レンタル・購入

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キャスト

ジェイミー・リー・カーティス
ジェイミー・リー・カーティス
Laurie Strode
ジュディ・グリア
ジュディ・グリア
Karen
Andi Matichak
Andi Matichak
Allyson
James Jude Courtney
James Jude Courtney
The Shape
Nick Castle
Nick Castle
The Shape
Haluk Bilginer
Haluk Bilginer
Dr. Sartain
Will Patton
Will Patton
Officer Hawkins
Rhian Rees
Rhian Rees
Dana Haines
ジェファーソン・ホール
ジェファーソン・ホール
Aaron Korey
トビー・ハス
トビー・ハス
Ray

スタッフ・制作会社

監督: デヴィッド・ゴードン・グリーン

脚本: デヴィッド・ゴードン・グリーン / ジョン・カーペンター / ダニー・マクブライド

音楽: ジョン・カーペンター / Cody Carpenter

制作: ジョン・カーペンター / ジェイソン・ブラム / ダニー・マクブライド

撮影監督: Michael Simmonds

制作会社: Universal Pictures / Blumhouse Productions / Trancas International Films / Rough House Pictures / Miramax

TMDB ユーザーのレビュー

Gill-Man
Gill-Man
★ 7

A semi-welcome return. Not the greatest horror film to hit theater screens this year but certainly not the worst. It unfortunately lacks the finality that the original had but still proves to be an effective entry in a franchise known for its inconsistency in quality. I can’t call myself a fan of the franchise but I am a fan of the original film and this sequel transfers the formula made famous by said film pretty well to a Generation Z audience. There are plenty of callbacks to the first entry (one of the victims even being a babysitter) and they all work incredibly well. There unfortunately isn’t that much tension. Most, if not all of the scares are executed brilliantly but the fights between Michael Myers and his victims are pretty disappointing. The gore is awesome; can’t really complain much about that. Subplots are handled poorly; despite already being in motion, they end pretty quickly which is a letdown. Writing is fine..good, not great. Humor is handled well though. Serviceable to fans new and old. It’s evident that Blumhouse knows how to make horror movies and that’s the big takeaway here. The new score is brilliant. One of the best I’ve heard all year, in fact. Enjoyable. Would recommend overall.

Gimly
Gimly
★ 6

The unfortunately named _Halloween_ has been released, and in doing so has created an entirely new **fifth** timeline in the _Halloween_ franchise. It's a decent timeline this one, makes a lot of sense. Not perfect, pretty expected run of events, but yeah, good. Gonna throw myself under the bus once more by yet again mentioning my love for the Rob Zombie _Halloween_ films, but here goes anyway: Seems interesting that a decent chunk of the same people who hate those Rob Zombie movies (99% of all horror fans), love this movie, despite some scenes in the 2018 _Halloween_ seemingly being ripped straight from Mr. Zombie himself. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._

Rodney Wollam
Rodney Wollam
★ 6

So we're all totally just going to ignore Laurie had a teenage son twenty years ago?

moovies
moovies
★ 7

"A worthy successor" 40 years after the events in ‘Halloween’ (1978) Laurie Strode faces off once again with Michael Myers. Strode has been preparing for 4 decades for an eventual showdown with Myers. Of course Michael escapes and it’s only a matter of time before the 2 meet. Strode’s doomsday prepper storyline is a bit far-fetched but that doesn’t make it less entertaining. Jamie Lee Curtis makes a triumphant return as Laurie Strode. It also marks the return of Nick Castle as Michael Myers. And Myers lives up to his reputation. His killings are more brutal than ever. Director David Gordon Green executes it almost perfectly. A lot of killings happen offscreen but you get to see the horror afterwards. And there’s of course the delicious tracking shot where Myers returns to Haddonfield. The camera follows him through a suburban home where he slaughters someone. The camera follows him back onto the street and into the next house to kill again. Michael’s introduction in the psych ward is also pretty memorable when all the psychos start to go… psycho. After that sequence we get the opening credits with the iconic theme. Brilliant. Credit has to go to writer Danny McBride. He respects the original, as is obvious in the countless references (Laurie standing in front of the window, Michael missing an eye) but isn’t afraid to give it a spin. Who’s hunting who? There’s also the humor he brings to the story. And it works (the babysitting scene). Of course it’s not all great. At times ‘Halloween’ falls victim to several genre tropes (girl falling when chased, questionable decisions). And although Strode’s been preparing for 40 years she doesn’t do a top notch job. The biggest letdown was the character of Dr. Sartain (Haluk Bilginer). He’s a poor man’s Dr. Loomis whose role is too expanded. All in all David Gordon Green and Danny McBride finally make up for 40 years of mediocrity and less (Halloween: Resurrection says boo). Although the 2018 version will not achieve the same cult status as the original it’s a solid entry in a disappointing franchise.

Sheldon Nylander
Sheldon Nylander
★ 6

"Halloween" basically ignores all but the first movie. Think of the way that various Godzilla reboots worked. It's an interesting approach and does wipe out the atrocious "Halloween: Resurrection" from continuity, at the very least. I really wanted to like this movie a lot more, being a big fan of John Carpenter's original, but I can only say it's okay or fair. It starts out pretty strong, with an unsettling opening scene and elements like the title sequence being a direct homage to the original film ("Halloween III" playing on a TV is great call back to the first "Halloween" playing on a TV in "Halloween III") but some questionable choices get made and it seems to lose its way as the movie progresses. The characterizations of several characters are inconsistent, switching back and forth between badass and panicky. The lead teenage character who we think the torch is going to be passed to just doesn't cut it. And the end is quicker than I would have expected, feeling a little unsatisfying and reminiscent of "H20". See it if you're a fan of the series. Other may be left feeling a little letdown.

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