“ショーンの新しい仲間は まさかの宇宙人⁉︎”
アードマンのストップモーション・アニメ『ひつじのショーン』シリーズ、劇場用長編第2作。UFOに乗ってやってきた宇宙人の女の子と仲良くなったショーンが、その子を守るため、宇宙にまで飛び出して活躍する。
AIが作品の魅力を深く読み解いています
興行収入: $43,133,089 (65億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Will Becher / Richard Phelan
脚本: ニック・パーク / マーク・バートン / Jon Brown
音楽: Tom Howe
制作: Ron Halpern / Didier Lupfer / Paul Kewley
撮影監督: Charles Copping
制作会社: StudioCanal / Aardman / Anton Capital Entertainment
‘A Shaun the Sheep Movie: Farmageddon’ isn’t as a sure-fire hit as the first film, but like all of Aardman's works, it’s another fun adventure with creative animation, charming characters and a heartwarming story. - Chris dos Santos Read Chris' full article... https://www.maketheswitch.com.au/article/review-a-shaun-the-sheep-movie-farmageddon-back-to-the-barn-for-another-round-of-heartwarming-fun
Not as good as the first <em>'Shaun the Sheep'</em> flick, but this 2019 release is still suitably watchable. <em>'A Shaun the Sheep Movie: Farmageddon'</em> features a solid if predictable alien story and does still include some top notch Aardman animation. I didn't personally find the humour as strong here, though it still made me smirk a few times. Passably decent, all in all.
I’m not sure if this in an homage or a collage, but there are certainly elements of just about everything from “ET” to “Close Encounters” via “The Day the Earth Stood Still” in this enjoyable sci-fi adventure. Up front, I do struggle with Aardman’s long-form animation. Not because the standard of the creative artwork isn’t superbly innovative, but because the stories are usually pretty thin - and here isn’t much of an exception. A little blue alien crash lands on the farm where he is quickly befriended by the not-so-sheepish “Shaun”. He is called, we think, “Lu-La” and he seems a jolly and curious little fella who means no harm to anyone. The same can’t be said for the menacing “Agent Red” from the Ministry of Alien Detection who is utilising all of her resources to track down our visitor before he can figure out some way to get himself back to his folks in a galaxy far, far, away. It’s a family-friendly story that is hard not to enjoy, and rather than hush up aspects of it’s obvious inspiration, it actively incorporates elements form other features to enrich the story. As usual with their works, there is plenty of attention and humour amidst the detail, their surroundings and the characters and this is, for example, then only science fiction movie I have ever seen that addresses one of the most fundamental issues of space travel. Is there a toilet on a spaceship? The craft involved here is hugely imaginative and though it will never be “Wallace” or “Gromit”, it’s still a film that I think will stand the test of time and extol the virtues of human craftsmanship.
