Querelle
あらすじ
No synopsis available.
予告・トレイラー
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
製作費: $1,600,000 (2億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $1,600,000 (2億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
脚本: Burkhard Driest / Jean Genet / ライナー・ヴェルナー・ファスビンダー
音楽: Peer Raben
制作: Michael McLernon / Dieter Schidor / Sam Waynberg
撮影監督: Xaver Schwarzenberger / Josef Vavra
制作会社: Gaumont / Planet Film / Albatros Filmproduktion
Brad Davis (sprayed into his tight white canvas trousers!) is the eponymous sailor, enticed into a seamy life when their ship docks in Brest. This proves to be a port where homosexuality is the currency of the day. The losing roll of the dice could cost you more than a few shekels. This is all something that captain "Seblon" (Franco Nero) is aware of - and he knows that sex can be an effective way to stop frustration becoming violence. It'd be easy to write this off as an out-dated queer-fest, but actually there is quite a bit more to it. The journey of self discovery for the young man; the unrequited love for him from his boss, the complex relationship with his equally handsome brother "Robert" (Hanno Pöschl) and the sparing appearances of teh matter man's current girlfriend "Lysiane" (Jeanne Moreau) - the principal attraction in the "La Feria" bar/whorehouse/general den of ill repute - all intrigue. Wassbinder's last film is certainly not his best, and to be honest it has dated rather badly over thirty years, but it has an immersive, theatrically intense style to it and the sex - though not remotely graphic - has a seediness that leaves much more to the imagination and, I reckon, is therefore much more potent and challenging. Somehow our own imagination (and fetishes) are tantalisingly teased and exposed without anything too specific on screen. It won't be to everyone's taste. A film about guys shagging and drug dealing in a French port won't work everywhere, but it's much more of a work of cinema than I was expecting. Though I didn't really get the ending, I found it oddly compelling.
