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ラルジャン
ラルジャン

ラルジャン

19831h 25m★ 6.9犯罪ドラマ

あらすじ

「抵抗(レジスタンス) 死刑囚の手記より」「少女ムシェット」などの名作を残したフランスの名匠ロベール・ブレッソン監督が、ロシアの文豪トルストイの原作をもとに、偶然手にしてしまったニセ札を知らずに使ってしまったことから、一家惨殺事件を引き起こし転落していく人生を歩む青年イボンの姿を描いた。

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キャスト

No Image
Christian Patey
Yvon Targe
Vincent Risterucci
Vincent Risterucci
Lucien
No Image
Sylvie Van Den Elsen
Grey Haired Woman
Michel Briguet
Michel Briguet
Grey Haired Woman's Father
Caroline Lang
Caroline Lang
Elise
No Image
Marc Ernest Fourneau
Norbert
No Image
Jean-Frédéric Ducasse
un client du magasin
No Image
Didier Baussy
le photographe
No Image
Jeanne Aptekman
Yvette
François-Marie Banier
François-Marie Banier
le compagnon de cellule d'Yvon

スタッフ・制作会社

監督: Robert Bresson

脚本: Robert Bresson / Лев Толстой

制作: Daniel Toscan du Plantier / Jean-Marc Henchoz / Antoine Gannagé

撮影監督: Pasqualino De Santis / Emmanuel Machuel

制作会社: Marion's Films / Eôs Films / France 3 Cinéma

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

The sentiment of this film is rather horribly - and effectively - cynical. A dodgy 500 Franc note is being circulated amongst businesses and people who know it isn't real. Until, that is, is falls into the hands of honest delivery driver "Yvon" (Christian Patey) who has no idea that he is about to become the victim of this scam. His boss insists that the pretty skint man make good the loss and his options are limited. Petty crime seems the obvious solution and so he hooks up with some would-be bank robbers. Needless to say, that goes awry and soon the young lad is facing a lengthy prison term and his marriage starts to dissolve before his eyes. Proof, if it were ever needed, that prison isn't always the best solution - the youngster starts to despair, and upon his release that frustration and angst leads him to a far greater crime. There is something unpleasantly venal about this whole thing. The young man is wittingly used by others but hasn't the wits of his own to appreciate, until it is too late, that he is little better than a pawn in a rather inhuman and depressing cycle of greed and indifference. Patey delivers well here, as does Robert Bresson in creating an atmosphere that suffocates any semblance of hope and demonstrates the compelling addiction of corruption - exactly, I suspect, as Tolstoy intended in his original story. In the end, I found this to be more of a powerful character study of one young man who, there but for the grace of God, could be any one of us!

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