世界的に有名な海洋探検家にして海洋ドキュメンタリー監督のスティーヴ・ズィスー（ビル・マーレイ）は、幻のジャガーザメに殺された仲間の仇を討つために、最後の航海へ乗り出す。
AIが作品の魅力を深く読み解いています
製作費: $50,000,000 (75億円)
興行収入: $34,808,403 (52億円)
推定収支: $-15,191,597 (-23億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
FindKeyのエディトリアルチームがこの作品の深層や歴史を解説しています。
監督: ウェス・アンダーソン
脚本: ノア・バームバック / ウェス・アンダーソン
制作: Rudd Simmons / スコット・ルーディン / ウェス・アンダーソン
撮影監督: Robert D. Yeoman
So a giant shark gobbles up his lifelong partner and Jacques Cousteau’s stunt double “Steve Zissou” (Bill Murray) promptly embarks his crew aboard his converted WWII mine hunter and sets off in search of this leviathan of the seas. Of course, “Zissou” has spent so much of his life pursuing his quest for aquatic greatness that his domestic life is a bit of a mess, and that only gets more complicate when “Ned” (Owen Wilson) shows up claiming to be his long lost son. Who knew what, when and why is quickly swept under the rubber mats as he, too, joins in the search for the menacing beast along with journalist “Jane” (Cate Blanchett) for whom they both take a bit of a shine! Meantime, “Zissou” hasn’t got too much cash, but luckily his wealthy nemesis “Hennessey” (Jeff Goldblum) has a few well stocked facilities he can pilfer from and so armed with some “borrowed” tech they set off into an un-policed zone where dangers lurk both above and below the water line. I suppose fans of Murray might get more from this, or even the dry as a bone Wilson - but for me this was all just a bit too contrived; it’s not remotely funny and if you ever saw “Le monde du silence” (1956) then you’ll have most of the basic premise laid out for you. There ought to have been some fine underwater photography but nope, not really - just a mix of dysfunctional family life and a distinct lack of aquatic life tapered to the comedic talents of a cast that offers loads of cameos but not too much else. Watchable enough, but no great shakes - sorry.
