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Chocolat
Chocolat

Chocolat

19881h 44m★ 6.9ドラマ
MUBI

あらすじ

No synopsis available.

作品考察・見どころ

クレール・ドゥニの処女作である本作は、植民地時代のカメルーンを舞台に、言葉にできない官能性と静謐な緊張感を描き出しています。特筆すべきは「眼差し」の表現力です。幼い少女の純粋な視線と、大人たちが抱える抑圧された欲望が交錯する様は、光と影を巧みに操る映像美と共に観る者の肌にヒリヒリと迫ります。 イザック・ド・バンコレの静かながらも圧倒的な存在感は、人種や階級という目に見えない境界線を鮮明に浮き彫りにします。洗練された演出が映し出すのは、触れ合えそうで決して重ならない二つの魂の孤独です。この作品は、単なる歴史の断片ではなく、人間の尊厳と情熱の不可能性を問いかける、魂を震わせる至高の映像詩です。

原作・関連書籍

映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。

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キャスト

イザック・ド・バンコレ
イザック・ド・バンコレ
Protée
Giulia Boschi
Giulia Boschi
Aimée Dalens
François Cluzet
François Cluzet
Marc Dalens
Jean-Claude Adelin
Jean-Claude Adelin
Luc
No Image
Laurent Arnal
Machinard
Jean Bédiébé
Jean Bédiébé
Prosper
Jean-Quentin Châtelain
Jean-Quentin Châtelain
Courbassol
Emmanuelle Chaulet
Emmanuelle Chaulet
Mireille Machinard
Kenneth Cranham
Kenneth Cranham
Jonathan Boothby
Jacques Denis
Jacques Denis
Joseph Delpich

スタッフ・制作会社

監督: クレール・ドニ

脚本: Jean-Pol Fargeau / クレール・ドニ

音楽: Abdullah Ibrahim

制作: Gérard Crosnier / Alain Belmondo / ジャン=ポール・ベルモンド

撮影監督: Robert Alazraki

制作会社: Cinémanuel / Cerito Films / Caroline Production / La Sept Cinéma / Le F.O.D.I.C. Cameroun / MK2 Films / TF1 Films Production / Wim Wenders Productions / MK2 Productions

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

I found there something really quite erotic about parts of this drama as we reminisce with “France” (Mireille Perrier) as she returns to the now independent Cameroon where she grew up. Her father “Marc” (François Cluzet) is a well-meaning colonial administrator in an out of the way province and that’s where she lives with her mother “Aimée” (Giulia Boschi) and their local and stunningly handsome factotum “Protée” (Isaach De Bankolé). With her papa frequently away on some form of business, her mother is left to run their plantation and she heavily relies upon their butler-cum-plumber/fixer/housekeeper. With the assistance of their erratic chef - who was really only comfortable cooking Yorkshire Pudding, they lead a comfortable enough life but with “Aimée” and “Protée” there is a palpable sexual tension that neither act upon, but that positively smoulders. He is a proud man who carries out his somewhat menial responsibilities with grace and dignity, even though he receives little in return - and that delicate equilibrium is sorely tested when a group of visitors arrive and are forced to stay whilst an aircraft is summoned to take them on their way. Now, the presence of the obnoxiously provocative and arrogant “Luc” (Jean-Claude Adelin) merely adds to the already simmering scenario but perhaps he might just prove to be the catalyst that causes this particular kettle to finally over-boil? It’s told largely from the child’s eye and Cecile Ducasse plays her role as the indulged but decent young girl quite engagingly. She, too, is fond of her tall and powerful protector and in that role, I found De Bankolé managed to marry his character’s innate pride and bearing with a sense of purpose that was probably demeaning, but it was his job and he didn’t believe in half-measures. Amidst all the heightened melodrama, there is some humour (usually from the tempestuous cook) and although it clearly identifies the iniquities of colonialism, that’s not really the point I thought it was is trying to make. In many ways, I felt it more about learning and keeping respect - and on that front both actors played their roles quite sensitively.

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